Kurze Zusammenfassung
Dieses Video erklärt, wie man Videos aus DaVinci Resolve für YouTube exportiert. Es werden wichtige Konzepte wie Timeline-Auflösung, Farbmanagement, Untertitel und Kapitelmarker behandelt. Das Video zeigt auch, wie man benutzerdefinierte Export-Einstellungen erstellt und wie man Videos in Batches exportiert.
- Timeline-Auflösung: Die Timeline-Auflösung sollte auf 1920 x 1080 eingestellt sein, um eine bessere Leistung zu erzielen, selbst wenn 4K-Material verwendet wird.
- Farbmanagement: Der Ausgabefarbraum sollte auf den Monitor abgestimmt sein, auf dem die Farbkorrekturen vorgenommen werden.
- Untertitel und Kapitelmarker: Untertitel und Kapitelmarker machen Videos zugänglicher.
- Export-Einstellungen: Es werden benutzerdefinierte Export-Einstellungen für YouTube vorgestellt, einschließlich der Verwendung von H.265, der Einstellung der Bitrate und der Deaktivierung der Frame-Reordering.
Dieses Kapitel beginnt mit einer Einführung in die Export-Einstellungen in DaVinci Resolve. Es wird erklärt, dass die vorgefertigten Export-Einstellungen zwar nützlich sind, aber nicht immer die besten Ergebnisse liefern. Das Video konzentriert sich darauf, wie man benutzerdefinierte Export-Einstellungen erstellt, um die bestmögliche Qualität bei der kleinsten Dateigröße zu erzielen.
Dieses Kapitel erklärt das Konzept der Timeline-Auflösung und wie sie sich auf die Exportqualität auswirkt. Es wird empfohlen, die Timeline-Auflösung auf 1920 x 1080 zu setzen, um eine bessere Leistung zu erzielen, selbst wenn 4K-Material verwendet wird. Das Video zeigt, wie man die Timeline-Auflösung in den Projekteinstellungen ändert und wie man die Einstellungen für einzelne Timelines überschreibt.
Dieses Kapitel erklärt, warum es nicht empfehlenswert ist, 4K-Material auf einer 1080p-Timeline zu exportieren. Das Video zeigt, dass dies zu einem unscharfen und matschigen Ergebnis führt, da das Material herunter- und dann wieder hochskaliert wird. Es wird empfohlen, die Timeline-Auflösung an das Material anzupassen, um eine optimale Qualität zu erzielen.
Dieses Kapitel erklärt die Timeline-Einstellungen, die unabhängig von den Projekteinstellungen geändert werden können. Es wird gezeigt, wie man die Timeline-Einstellungen für einzelne Timelines ändert und wie man die Einstellungen für die Auflösung, den Ausgabefarbraum und andere Parameter anpasst.
Dieses Kapitel erklärt den Ausgabefarbraum und wie er sich auf die Farbgenauigkeit des exportierten Videos auswirkt. Es wird empfohlen, den Ausgabefarbraum auf den Monitor abzustimmen, auf dem die Farbkorrekturen vorgenommen werden. Das Video erklärt auch, warum die Standardeinstellung in DaVinci Resolve Rec. 709 Scene ist und wie man den Ausgabefarbraum in den Projekteinstellungen ändert.
Dieses Kapitel erklärt den Rec. 709-A-Farbraum und wie er für Mac-Benutzer verwendet werden kann, um konsistente Ergebnisse zu erzielen. Es wird erklärt, dass Rec. 709-A kein offizieller Standard ist, aber eine gute Möglichkeit bietet, um die Farben auf einem Mac-Bildschirm mit dem exportierten Video abzugleichen.
Dieses Kapitel warnt vor der Verwendung der Option "Mac-Bildschirmfarbprofile für Zuschauer" in DaVinci Resolve. Es wird erklärt, dass diese Option zwar für konsistente Ergebnisse sorgen kann, aber auch zu Problemen mit dem Farbwähler führen kann. Es wird empfohlen, diese Option nur dann zu verwenden, wenn keine Farbkorrekturen mit dem Farbwähler vorgenommen werden müssen.
Dieses Kapitel erklärt, wie man Untertitel in DaVinci Resolve erstellt. Es wird gezeigt, wie man Untertitel automatisch aus dem Audio generieren kann und wie man sie manuell bearbeitet. Das Video erklärt auch, warum es wichtig ist, dass die Timeline bei 0:00:00 beginnt, damit die Untertitel korrekt angezeigt werden.
Dieses Kapitel erklärt, wie man die Zeitcode-Präferenz für neue Timelines in DaVinci Resolve ändert. Es wird gezeigt, wie man die Zeitcode-Präferenz in den Benutzereinstellungen ändert, damit neue Timelines standardmäßig bei 0:00:00 beginnen.
Dieses Kapitel erklärt, wie man Kapitelmarker in DaVinci Resolve erstellt. Es wird gezeigt, wie man Kapitelmarker mit der Taste "M" erstellt und wie man ihnen Namen gibt. Das Video erklärt auch, wie man Kapitelmarker in die exportierte Datei einbettet, damit sie in YouTube und anderen Playern verwendet werden können.
Dieses Kapitel erklärt, wie man Kapitelmarker für YouTube exportiert. Es werden zwei Methoden vorgestellt: die Verwendung einer EDL-Datei und die Verwendung einer OTIO-Datei. Das Video zeigt, wie man beide Dateitypen exportiert und wie man sie mit Tools wie dem YouTube Chapter Generator von Bill Justice oder Creator's Best Friend verwendet.
Dieses Kapitel erklärt, wie man Kapitelmarker mit einer OTIO-Datei exportiert. Es wird gezeigt, wie man die OTIO-Datei in DaVinci Resolve exportiert und wie man sie mit der App Creator's Best Friend verwendet, um die Kapitelmarker in die YouTube-Beschreibung zu kopieren.
Dieses Kapitel erklärt, wie man Rauschen in DaVinci Resolve reduziert. Es wird gezeigt, wie man die temporale und räumliche Rauschreduktion in der Motion Effects-Registerkarte verwendet, um die Dateigröße zu reduzieren. Das Video warnt jedoch davor, dass die Rauschreduktion zu Banding in subtilen Verläufen führen kann, wenn das Video von YouTube erneut komprimiert wird.
Dieses Kapitel erklärt, wie man benutzerdefinierte Einstellungen für die Ausgabeseite in DaVinci Resolve erstellt. Es wird gezeigt, wie man die Einstellungen für YouTube 1080p und H.265 Master konfiguriert und wie man die Hardwarebeschleunigung aktiviert. Das Video erklärt auch, wie man die Einstellungen für einzelne Clips oder bestimmte Abschnitte der Timeline ändert.
Dieses Kapitel erklärt die Videoeinstellungen auf der Ausgabeseite in DaVinci Resolve. Es wird gezeigt, wie man das Format, den Codec, die Framerate und andere Einstellungen konfiguriert. Das Video erklärt auch, wie man die Kapitelmarker in die exportierte Datei einbettet und wie man die Qualität und die Bitrate des Videos einstellt.
Dieses Kapitel erklärt das Konzept des Frame-Reorderings und wie es sich auf die exportierte Datei auswirkt. Es wird gezeigt, wie man Frame-Reordering in DaVinci Resolve deaktiviert, um Probleme mit QuickTime zu vermeiden. Das Video erklärt auch, dass Frame-Reordering keine Auswirkungen auf die YouTube-Datei hat.
Dieses Kapitel erklärt den Gamma-Tag und wie er in DaVinci Resolve eingestellt wird. Es wird gezeigt, wie man den Gamma-Tag auf der Ausgabeseite auf Rec. 709 einstellt, um einen 1.1.1-Tag in der QuickTime-Datei zu erzeugen. Das Video erklärt auch, warum es wichtig ist, den Gamma-Tag manuell einzustellen, wenn der Ausgabefarbraum auf einen anderen Wert als Rec. 709 eingestellt ist.
Dieses Kapitel erklärt, wie man Untertitel ohne Formatierung für YouTube exportiert. Es wird gezeigt, wie man die Option "Untertitel als separate Datei exportieren" aktiviert und wie man den Untertiteltyp auf "SRT ohne Formatierung" einstellt. Das Video erklärt auch, dass diese Option möglicherweise bei jedem Export manuell aktiviert werden muss.
Dieses Kapitel erklärt, wie man die Export-Einstellungen als Preset speichert. Es wird gezeigt, wie man die Einstellungen als neues Preset speichert und wie man es später wiederverwendet. Das Video erklärt auch, wie man die Einstellungen für mehrere Timelines gleichzeitig anwendet.
Dieses Kapitel erklärt, wie man mehrere Timelines gleichzeitig mit einem Preset exportiert. Es wird gezeigt, wie man die Timelines zur Render-Warteschlange hinzufügt und wie man das Preset anwendet. Das Video erklärt auch, wie man die Einstellungen für die Render-Warteschlange jederzeit ändern kann.
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0:00 indiv inry resolve 19 the cut the color and the edit Pages all have this handy button that are in the upper right to quickly export your timeline using any of these presets and they totally work but they're not always going to look the best and what if you spend a lot of time working on a video you want it to look the best it can be with the smallest file size for uploading to YouTube even after YouTube runs its own compression on it oh and there's this checkbox that might be worth unchecking for reasons that I want to talk about towards the end of the tutorial today hey today I'm going to teach you how to create an export preset along with a few other compression and resolution Concepts that I think you need to know for resolve chapters are marked so let's get started the first concept I want to talk about is timeline resolution and how that works because your timeline resolution
0:45 directly impacts what you're able to deliver from the deliver page without losing any quality so when you first create a new project in Dent resolve under the file menu you've got your project settings and these are sort of defaults for your whole project the default that most people use and it's what I suggest is that your timeline resolution is set to 1920 x 1080 this will give you better performance when you use higher res footage for instance this tutorial right here this was shot with h265 3840 X 2160 footage and if I were to export it directly as this is as the defaults right now and go to deliver page and I change my resolution here to 3840 X 2160 and say add a render to you are going to get this error box it's not an error box but it's explaining to you what I'm explaining right now if you
1:30 have 4K footage on a 1080 timeline go to deliver page and try to export 4K you're essentially down Rising your footage and then Uprising it again which is going to look soft and mushy it's not what you want so I will hit cancel here and I'll show you how to deal with this I do suggest you work at 1080 because you're going to get better performance but before you go to export either go to your file uh project settings area master settings and change your timeline resolution right before you go to that deliver Page hit save and doing that automatically updates your default timelines which are the ones over here that do not have the gear Cog on them so if I right click on here say timeline timeline settings you can see this now has changed to 3840 x60 now I can go over here export 4K and you're good so there's also timeline settings that can
2:16 be overridden and they're disjointed from those default project settings that are set under this menu right here and the way like I said the way you know that they've been like you know uh divorced from the project settings is they get this little gear Cog icon there's something different about those so that's a different way you can work as well so if you want to leave your defaults always alone at 1080 you can do that and then just come in and manually change one of these different here to say timeline settings and uncheck this used project settings check boox right here and here you can change resolution you can make vertical versions and all that output color space this is a major topic when people see gamma shifts when they export their video files under the
3:01 file menu we're going to go back to our project settings and I go to the color management tab this doesn't matter if you're using Da Vinci ygb or D Vinci ygb color manage output color space is intended to be what monitor are you looking at to make your color judgments I'm using a Flander scientific monitor that is calibrated to rec 79 gamma 2.4 if you're looking at a Mac laptop computer screen you wouldn't set this to gamma 2.4 here cuz it's nowhere near that that gamma for a Mac you might set this to Rex 709a and the default the Blackmagic Engineers put in here is actually Rex 709 scene and the reason they set that to Rex 709 scene is because when you go to export without doing anything else it
3:47 will apply the proper 1-1-1 gamma tag so that you don't have any weird color shifting that happens now if you set this to gamma 2.4 if you're Pro and that's how I have mine set up cuz I'm looking at a caliber display there is another setting you want to override on the deliver page and we'll get there towards the end just know your output color spaces what am I viewing this thing on while we're talking about this topic because I know so many of you use a Mac with a Mac display if you set this to Rex 709a here which is right here and you hit save there is one other setting that you might want to be aware of on your monitor and that's a preference setting under the D Vinci resolve preferences general settings and that is use Mac display color profiles for viewers if
4:33 you check that hit save it says it's got to restart but it doesn't really your viewer over here will update so that when you export it should match pretty closely to the viewer that's on here now yes I know Rex 709a is not an actual standard but it is a way if you have a Mac with a Mac display to get consistent results from this viewer to your output quick time up to YouTube and this is just one little word of warning for my friends that are going to use the US Mac display color profiles for viewers checkbox here and that's that when this is enabled and running your viewers over here in the edit page um are looking through an ICC profile but the downside to that is your Color Picker if you're using like text that needs to match a specific brand or some background solid
5:19 that's actually sampling through the filter so you're actually getting the wrong color with the Color Picker so if you ever use that tool it's really important that you disable USAC display color profiles for viewers or you do all your color sampling and fusion which ignores This alog Together subtitles and chapter markers are a great way to make your video more accessible for anyone on YouTube so how do we use them how do they work well couple little gotchas I think the first most important thing to pay attention to is I've already got my subtitles created here because it does take a second but if you have the studio version you can create them automatically under the timeline menu and choose create subtitles from audio and essentially it just listens to the video and it creates them for you in fact you can go and let's say it it spelled a word wrong or something you can come in here and fix the text at any
6:04 point and edit these just like their other Clips but the default and the thing I want to point out here is the default when you create a new timeline indenture resolve is it starts at hour one and your subtitle tracks and the timeline kind of need to start at zero for this all to work properly so to change your time code of the timeline to not start at hour one you right click on your timeline go to timelines and instead of timeline settings this time we choose starting timeline or starting time code and then from here we can just come over and say 0 0 instead of 01 click okay and you can see this is now set to 0000 0 now you're not going to want to do this every single time so there's a default uh preference a user preference that we can change so every time you make a new timeline it starts at zero where is that let me show you
6:51 under the D Vinci resolve menu preferences I'll go to user then editing and then starting time code for new projects or new timelines in here we'll just change this so that it is set to 0000 across the board I'll just hit return and hit save and so anytime I make a new timeline it'll be set to that so I've got a 30 minute timeline here with all these chapter markers that are going to be accessible on the deliver page and in a file that we export to get the metadata for YouTube as well how do we create them just hit M to create a timeline marker hit M again and that calls up this window we can set the name and we could just call call this uh chapter marker demo right here and hit return or click the done button and that
7:37 chapter marker will be included how do we export the chapter markers well there's two different ways to do that for the YouTube part of it and I'm going show you both one is if you rightclick on the timeline itself go to timelines and then you say export you can say timeline markers to edl as soon as I do this we're going to put this like you do on any tutorial on the desktop and this is a timeline markers edl see it's exported and it's if I go to my desktop it's right there it's just a text file and the way you would use this file is there's a man this amazing good friend of mine Bill Justice he has this website and I'll show you the link right there it's billj justice.com youube chapter-
8:24 generator what this allows you to do is you can take this edl file just drag and drop it into here and this does a reformat so you can copy and paste these chapter markers and place this into your YouTube description easily and this is free obviously you can buy him a coffee and help support him he does amazing things now there's another tool out there as well that uses an otio file to get your chapter markers from your timeline and I'll show you that because it's another way to do it I want to show you all the ways I'm going to right click on the timeline this time instead of saying um to export a timeline markers edl this time I'm going to export a timeline file the timeline file that I'm going to export is not the standard D Vin resolve. drrt file instead I'm going to choose the oo file
9:09 type down here and then we'll put this one on the desktop as well I'll hit save and this time I'm going to use a paid app called Creator's best friend and you can get this from the App Store if you're on Windows I don't know if this will work so I just want to show you different ways of doing that click open file and this is essentially kind of doing the same thing as Bill Justice's we ite where I get this list right here I can copy the clipboard and then paste this into YouTube description and then you have the ability to jump to any of these chapters and you can come in here and just delete ones that you don't want right so that is exporting chapter markers from the timeline now we need to get to the deliver page I promised you I'm going to show you my deliver page export settings I just want to mention one last thing before we get there and that's that on the color page if you
9:56 need to reduce file size one thing you can do is apply noise reduction so if you have the studio version of resolve which this is a great reason to to get denture resolve is this motion effects tab here these temporal and spatial noise reduction are really really good if you reduce the noise in your footage it's a way that you can actually decrease the amount of bandwidth that's needed to get a good compression I do want to say while using these temporal and spatial noise reduction features built in here to divin resolve will make your file look cleaner on the initial output when it gets recompressed by a YouTube it goes down to 8 Bits and sometimes you get more banding in subtle gradients than you might want so use this you know with a subtle taste and maybe not use it at all I would say try
10:42 for yourself maybe it'll help you out maybe it won't but let's get to the deliver page and I'll go over our custom settings now take a look up here let's all get started by clearing out whatever settings you had before just click YouTube 1080P and then click h.265 Master cuz we're going C we're going to make this as best as possible if you don't have a newer Mac that has Hardware encoding built in like an M1 silicon Mac or or newer or a maybe a PC with an Nvidia GPU just come over here and use the h.264 master and that's going to get you pretty close won't be quite as good but right now I'm in the h.265 world that's a good reason to get a new computer now in the deliver page the first thing once we go down this list here is we have ability to render a
11:28 single clip which is the entire timeline as As One video which is what we want or individual Clips make sure you have single clip selected and one thing that's often overlooked is you can export just certain sections of a timeline as well you don't have to export everything sometimes you have some extra work that's at the tail end you don't want included so under this area down here at the bottom where the timeline is you can change this instead of saying entire timeline change this to In and Out range and on the deliver page especially for this tutorial I'm just going to Mark the first maybe minute or so of this video rather than all 30 minutes to export that I go back to the deliver page and you'll see just that's marked so just that part will get exported all right so we have a video tab an audio Tab and a file tab why don't we work backwards today so I'm
12:14 going to start with file tab because I want to encourage you to use what's the timeline name in your render and the reason why timeline name is essentially just going to take the file that's in the the name of your timeline that's in your bin right here so reference Fusion coms for screen inserch version 3 the reason I suggest you use timeline name when you export timelines is because if someone exports it and someone else needs to go in and make a change later on or maybe it's even you weeks later it's your reference of how do I know where that timeline came from it's because it matches what's in the project so timeline name that's all you need to do there audio tab um YouTube will tell you compressed audio is fine but you can actually give it uncompressed audio as
13:00 well and audio doesn't take up a huge part of the Stream So I like to change the codec instead of saying compressed AAC to linear PCM and then the rest of this section here is nice and good now that that is good we'll go to the video Tab and work through stuff here format I like QuickTime uh a lot of people say MP4 the reason I like QuickTime is it carries extra metadata for us and uh I like that so time code nclc tags uh chapter markers all that stuff is is much better to work with a QuickTime wrapper than MP4 and YouTube accepts it so I use it codec again we talked about we're doing h.265 there's a lot in here um but h.265 is going to give you the best quality at a given bit rate in fact the settings I'll show you here are just
13:45 about as good as if you were to upload a proes HQ file to YouTube instead but with much smaller file sizes I will choose Hardware acceleration if available that's the whole point of having a nice GPU or a newer Mac is it's going to crank it out fast if you see weird glitches though you can uncheck this and it'll use just the software CPU and you will get a different result sometimes so if you run into some weird glitches try that off but for most of the time I want to leave that on and the stuff the rest of the stuff down here is is basically good to go we have a new option that pulls the timeline resolution so that means if you make a vertical version uh it's going to update here for you I leave this alone just again make sure you change your timeline resolution either on the timeline settings or on the project level
14:31 settings so that you're seeing the right number here and you're not doing any downscaling and upscaling frame rate this should just be whatever the majority of your footage is for YouTube so if most of it's 24 make it 24 if it's 30 and so on we're going to go down here a little bit further and chapter markers chapters for markers we do want to choose this we spent the time marking up our timeline with chapters and it lets you choose a different color Blue's the default I just go with that now the thing to know about the chapters from markers here is this is not going to apply to your YouTube video that you upload automatically you do need to export the otio file or the edl file that I mentioned in the previous chapter of this tutorial and you paste that manually into YouTube this chapter markers is going to bake it into the QuickTime file so that you can watch on
15:18 Quicktime and jump between chapters on QuickTime Player or bring it back into divin resolve and have the markers pre-laid out so you can find something it's great for educational content going down further we have quality this is what's going to actually impact the file size uh the most actually pretty much all of it and we're going to change instead of being automatic we'll choose restrict to and instead of being 10,000 we're going to change this to 80 and a big reason why is because YouTube's going to recompress it afterwards anyway so I'm going to type in 8 z0000 and this is a good rule of thumb for pretty much any HD or 4K content that you want to get out there as like a master that's not a pro res Master which is your typical Master this is going to be retaining most of quality for you and
16:04 that's that's just what I use now as we go down here a little bit further I leave the rest of this as defaults main 10 except for one option here and that's the frame reordering box right here so what frame reordering is is there's I frames B frames and P frames when you do long goop compression which is what this is and the B frames are the frames that look ahead and behind so frame re just another name for it here I have found with frame roording turned on I have issues with QuickTime when I have the Apple Computers doing the hardware en coding so I turn this off and what happens when I turn that off is yes your quality may change very slightly but I really can't see a difference is I actually get quick time to show every
16:49 frame uh when I click through it in quick time player so let me show you if I open up quick time right here this file right here has no B frames that was exported and if I use the arrow keys to step through I'm seeing every frame as I go through right I have another one here as well that has B frames or the with frame ordering box checked which is going to be that default and if I step through this in quick time you'll notice as I go through oh wait I'm moving frames but it's not showing those you can see down here I'm moving frames but it's not showing the change and so when YouTube takes it it seems to not be an issue if you load it back into denture resolve this file is not an issue but a lot of times I need the QuickTime file to look correct for producers so the
17:35 short answer for me at least is I disable frame reordering on my preset the other thing we want to look at next is going to be the gamma tag gamma tag is going to be to assign in QuickTime player that 111 tag on output so if I hit command ey on the file go to video details you can see the code points 1111 that middle tag one which is the gamma part of that is held right here and so the reason I want to explicitly change our gamma tag here is if you look at this if it's set to same as project it will look at whatever your project settings were for your output color space meaning your monitor I use a gamma 2.4 Monitor and that's not going to give me a 111 tag so to force the 111 tag you can change this here to one of two
18:22 options you have Rex 79 Rex 79a both of those are going to give you a 111 tag we'll just choose Rex 79 keep it simple I'll go down here a little bit further and we'll take a look at the subtitle settings so toggle your subtitles if you're not seeing them right now choose export subtitles as a separate file yes SRT yes but not that SRT there's a little drop down we're going to choose SRT without formatting for YouTube and you do need to check the box and you probably will need to come in and turn this on every single time even after we save this as a preset okay to save as a preset the three dot options menu at the top we'll say um save as new preset and we'll call this uh demo preset hit return and now you can always come up
19:08 here and this will recall this every single time add the render CU puts it in your render CU and then we'll start rendering and obviously you choose a destination in the browse section I have it going to the desktop to speed this up and you'll see it's created the SRT forest and in just a second we'll have the video exported because it's using Hardware acceleration so here's our export file if you click right here we can see we have different chapters from the section I had chosen to jump around quickly to another section or if I bring it back in it will have those chapters available and the last little piece I want to point out here is that if you now that you have a preset saved and and loaded in here we called this one demo preset from the edit page you can kind of skip a lot of this step and just say I want to export all of these timelines
19:55 here by right clicking and saying timelines add to render queue using demo preset it's going to ask me where do I want them I'll put them on the desktop location I'll go to the deliver page and you'll see this has populated the render queue with those settings already applied um if you need to change them at any time you can click this pencil icon and make any adjustments to make sure that you know if you need to make a change maybe you need to make a smaller version or what not hey I'm Shadow give you're new here I am so pumped that you spent the time hanging out with me today if you want to learn how you can render using another computer on your network so you can keep working on your main workstation while the render is actually happening check out the video I have on screen on remote rendering somewhere on screen right now and because there's so much more to learn I'll see you in the next video
