Brief Summary
The video features a reaction to the song "Tokyo Tsuushin," praising its quality and potential for global recognition. The discussion includes humorous tangents, personal anecdotes, and reflections on the impact of music. The speakers express excitement about the song's unique qualities, its potential for commercial success, and its ability to resonate with a diverse audience.
- The speakers react to and praise the song "Tokyo Tsuushin".
- They discuss the song's potential for global recognition and commercial success.
- Personal anecdotes and humorous tangents are included.
- The speakers reflect on the impact of music and cultural understanding.
Intro and Initial Reactions
The video starts with the speaker expressing anxiety over the positive reception of their content, joking that too many likes can be overwhelming. They transition into praising the song "Tokyo Tsuushin," calling it incredible and agreeing that its quality is undeniable. The speaker anticipates viewers will be entertained by various elements of the song, including Rigimo, Brother High's rap, and Shinnosuke's contributions, expressing hope that Shinnosuke will surprise the audience.
Encountering "Tokyo Tsuushin"
The speaker expresses certainty about the song's quality and anticipates a positive reception. They note the song has an old-fashioned feel, which they find appealing. They were suddenly told about recording Mazesan and were initially depressed. They express gratitude for the invitation to record and acknowledge the helpfulness of everyone's voices. They describe the experience as a "sure win," referencing a dance-like chase and the drawing of people from one shadow to the next.
Mid-Song Impressions and Technical Difficulties
The speaker jokes about being busy playing Egintos's Ace Cross and wanting to press a button at the exact moment Nire's iconic move occurs. They discuss the timing and coordination required in the game, emphasizing the need for teamwork. The speaker then transitions back to the song, noting a "Wraith" element they find appealing. They express readiness to start up the moment a pigeon flies and describe running through a moment, overwhelmed by information. They humorously realize they forgot to record earlier and comment on a unique sound they've never heard before.
Enthusiasm and Spontaneous Movement
The speaker describes the experience as "unrivaled" and notes their body moving involuntarily to the music. They acknowledge the limits of their control and encourage acceptance. They joke about turning the recording into a live stream. They mention Shin-chan's potential appearance in the second half of the song, highlighting his ability to identify key points. The speaker apologizes to Shinnosuke for a previous oversight and mentions a detail about including Hokkaido, which didn't work out as planned.
Appreciation for the Song's Elements
The speaker praises the song's "rust" (likely referring to a catchy or memorable part), noting its immediate appeal. They compare it favorably to a previous Wekapipo version. They mention running through the song and being able to walk at a certain point. The speaker then references "Penrarera" and clarifies they didn't say "ribs," humorously realizing they forgot their camera. They express admiration for the rhythm created by an artist with a microphone and express a desire to visit Sushidani.
Further into the Song and Its Impact
The speaker describes jumping into the song and being overwhelmed by information, reaching their limits. They note a backing vocal element they appreciate. They feel words are unnecessary to convey the song's quality, believing the audience can see the enjoyment on screen. The speaker declares it the most fun they've had in ages, even though their videos haven't been monetized recently. They express a desire to get serious about monetization and mention negotiating with important people.
Financial Realities and Creative Spirit
The speaker acknowledges not making money from recent videos but remains undeterred. They joke about their T-shirt getting better and being a "Unicaro" (possibly a reference to budget-friendly fashion). They emphasize being rich in spirit despite a lack of capital, thanks to listening to "Tokyo News." The speaker expresses a desire for official recognition from major companies and clarifies they are not having a negative impact. They offer collaboration and highlight their Japanese language skills, offering to review contracts and make calls.
Experiencing the Song's Depth
The speaker expresses feeling the music without needing to say anything, describing it as a dream. They anticipate Koreshi-chan time and the shock of looking back later. They note the rapid change in coordinates and praise Shin-chan's "fever time." The speaker acknowledges Shin-chan's occasional appearances and the fun they bring. They describe opening a door to a new world in the heart of Changeo.
Humorous Exchanges and Official Announcements
The speaker engages in humorous exchanges, playfully interrupting each other and making jokes. They clarify a misunderstanding about Japanese language. The speaker then transitions to an official announcement, noting they have finally "come in" and that it was good. They mention 50,000 more to go and that things are getting better. The speaker describes saving up and then having it all come crashing down, referencing a series of nonsensical phrases.
Reaching Limits and Expressing Gratitude
The speaker describes jumping in with information and reaching their limits, acknowledging that they know it. They express being at a loss for words and offer thanks. The speaker expresses joy at discovering such a great song and notes its relatively low view count of 13 million. They believe it deserves at least 100 million views and should be a global hit, comparing its sound to a 1990s disco or a 2030s club.
Global Potential and Cultural Reflections
The speaker believes the song has a city pop feel and just needs to be discovered by people around the world. They express a desire to fly to a different world and question whether there are real-worlders in Japan watching the world. They acknowledge the difficulty of the concept and want the audience to fly into the real world for a moment. The speaker notes they don't have Japanese citizenship and questions why the overseas reaction is only barely safe.
Personal Anecdotes and Cultural Understanding
The speaker jokes that some people are just reactionaries to the people of Chiba Prefecture and clarifies that they are foreigners. They note that the times had not caught up with the song, calling it a masterpiece deserving more recognition. The speaker mentions the song came out in 2006 and contrasts it with their own early musical experiences, such as listening to a song about frogs in third grade. They also mention Nakashima Miyu's song "Ito."
Downloading Japan and Final Thoughts
The speaker reflects on still "downloading" the idea of Japan and having limited experience with the culture. They share an anecdote about communicating with their teacher through pictures to understand what a picnic sheet was. They recall a huge Pokemon picnic sheet from their childhood, which someone identifies as their own. The speaker praises someone's strong worldview and describes instantly updating that person's world. They conclude by saying the best way to communicate is when you're at a loss for words.
Musical Preferences and Closing Remarks
The speaker expresses being put off if a certain musical style happens when they're at a loss for words. They mention a song on the right being the highest quality in the Sword Out market and suggest that music lovers who don't understand it won't like it. The speaker references Ace Attorney as something bothering them and notes that something was skipped the most on the Moha Blog Market. They recall being stars after just one hit and being in an invincible state. The video concludes with thanks for watching Tortoise Tokyo News, a request for comments, and a farewell.
