0:02 Hello everyone, I'm Nishi from Video Science. I'd like to start the Video Science Committee, the first video science conference. First of all, we will be discussing the relationship between art and video, whether it is art or not. From that question, we will be discussing the relationship between video and art. Whether it is art or not. I'm sure you've heard this word a lot. For example, when you
0:52 see a famous artist's work, you think, "This is art." Or when you see a Japanese artist's exhibition, you think, "This is not art." Or, in the past, we may have argued that this is art and not art. We may have been distracted by the distinction between art and non-art, and the reason for the distinction. by
1:38 making things clear like a theory, we can think about what kind of art can be divided into, and what kind of things are not art. How can you explain this? Video is not art, but art, literature, play, 映画などを含むものではないかと言えると思います。 映像がアートだと言える理由は何でしょうか。
2:29 アート、絵画や彫刻との類似点や得意点は何でしょうか。 さらに、このような事柄をあなたはどのように説明できるでしょうか。 皆さんにとって馴染みの深い Japanese manga, anime, cosplay, and vocaloid PV, are they all art? What
3:15 is the reason for them to be art? What are the similarities and differences between art and painting and sculpture? Let's think about the so-called subculture art as well as other terms.
4:04 グラフティーは落書きアートとも言えるものですけれども、グラフティーはアートでしょうか? ここでは具体的な作例をもとにいろいろと考えてみたいと思います。 グラフティーはアートでしょうか? グラフティーは街の落書きあるいは風刺画とも言えるもの、それを皆さんはアートと呼べるでしょうか? グラフティーは
4:53 In the 1980s, hip-hop culture became a hot topic in New York. It became a hot topic and became a hot topic in New York. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in Europe and Japan. The trend is not only in the US, but also in the US, but also in Europe and Japan. The trend is not only in the Like Keith Haring and Basquiat, graffiti works are created
5:39 from the extension of graffiti, and they are exhibited in art museums or art galleries. In the 1990s, graffiti was recognized as a art form, and a large exhibition was held at the Brooklyn Museum of Art. The influence of graffiti on animation works using graffiti-like
6:25 elements There are also phenomena in which video works are born and are highly evaluated. Here I will introduce a work by a graffiti unit called "Bull". How was it? Bull is an Italian graffiti artist, a graffiti art unit, but such cases are common in many
7:10 countries. in China, Korea, and Japan. In Japan, Takashi Murakami drew mural paintings using graffiti art. He has attracted attention in recent years. He is an artist who uses Japanese subculture and otaku culture to create art. Murakami also created a exhibition called "Little Boy" in New York in 2008. The exhibition was based on Japanese subculture and
7:57 modern art. It was very popular. In 2018, he also created a exhibition called "Bubble Up" in Kumamoto's Gendai Biitsukan. It was a collaboration between modern art and subculture. We also curated a workshop focusing on the characteristics of art and the surrounding area. This also brought a lot of attention. So far, we have been considering various things about the 1000s of things that are not art. It's not
8:42 about dividing things that aren't art, but rather it's about making it as it is, and until the culture and art scene is matured, it's very interesting. In Japanese vocaloid and the extension of electro-pop, we can see hip-hop and Japanese pop mixed together. In this work, we can see hip-hop
9:29 and electro-pop mixed together, and introduce the works of the artists. How was it? Finally, I would like to make a summary. Art is one of the expression fields of art. There are music, art, and video that were born between music. I
10:18 think that the discrimination of art as a video is not so important. Rather, I think that it will allow us to see how the art of video can be incorporated and developed as a representation of video in the boundaries of the video.
