Sexyy Red - Yo Favorite Trappa Favorite Rappa ALBUM REVIEW

Brief Summary

The review of Sexy Red's new album, "Favorite Trapper," expresses disappointment, especially considering the success of her previous work, "Hood Hottest Princess." The album is criticized for its subpar production, uninspired features, and Sexy Red's own lackluster vocal performance and songwriting. The reviewer finds the project to be a step down in nearly every aspect, lacking the energy, humor, and overall quality that made her earlier work appealing.

  • The album is a step down from "Hood Hottest Princess" in terms of production and energy.
  • Sexy Red's vocal performance is uninspired, and the songwriting lacks her signature humor.
  • The reviewer rates the album a light to decent 2, expressing disappointment in its overall quality.

Intro

The reviewer introduces Sexy Red's new album, "Favorite Trapper," expressing anticipation due to his fondness for her previous work, "Hood Hottest Princess." He notes the controversy surrounding his positive review of her earlier music, with many critics questioning his taste. The reviewer highlights Sexy Red's openness about her influences, such as Gucci Mane, and finds it amusing how seriously some people take her trolling persona, despite her often outrageous lyrics and behavior.

Mixtape vs Album

The reviewer expresses confusion over the direction of "Favorite Trapper," as it feels like a subpar mixtape presented as an album. He points out that Sexy Red had already released a mixtape in 2024, "In Sexy We Trust," which was not well-received. While a raw, messy project could have been interesting, "Favorite Trapper" falls short, with dialed-down versions of elements that were more successful in "Hood Hottest Princess."

Production and Features

The production quality on "Favorite Trapper" is criticized for being bland, predictable, and uninspired, failing to the project. The reviewer also finds the feature list underwhelming, especially considering Sexy Red's connections and endorsements from artists like Nicki Minaj, Drake, and Tyler the Creator. He praises Kee Glock as the best feature on the album but notes that he's not a major draw. The track "Cut Like Us," featuring Pretty Pink and Gettoh Bisha, is highlighted as a fun collaboration, but the reviewer wishes there were more tracks with similar energy.

Vocals and Lyrical Content

Sexy Red's vocal performance on "Favorite Trapper" is described as sleepy and unenthusiastic, a significant departure from her energy on "Hood Hottest Princess." The reviewer also feels that the writing is toned down, lacking the audacious, self-deprecating humor that is a key part of her appeal. While some tracks have funny titles and premises, Sexy Red fails to deliver on the comedic potential. The only exceptions are "Hood [ __ ] Too" and "If You Want It," which capture some of her signature ridiculousness.

Overall Impression

The reviewer finds the album boring and uninteresting, lamenting that it didn't need to turn out this way. He suggests that Sexy Red could have continued in the same lane but invested more in her music to make it sound bigger and more exciting, with cooler collaborations and new producers. The reviewer expresses concern that Sexy Red may not be focused on the music, citing a viral clip of her freestyling as more entertaining than the album itself. He ultimately rates "Favorite Trapper" a light to decent 2.

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Transcript

Full transcript of “Sexyy Red - Yo Favorite Trappa Favorite Rappa ALBUM REVIEW”. Click a timestamp to open the video at that moment. Need another video? Use the YouTube transcript generator.

0:00 Ah, hi everyone. Trap rap here, the internet's busiest music nerd, and it's time for a review of this new sexy red album, your favorite trap, a favorite rapper. This is the latest fulllength album from Missouri native, Miss Sexy Red, rapper, songwriter extraordinaire, coming through with a record here that has been one of my most anticipated this year. Mostly because I was such a fan of Sexy's breakout moment back in 2023, Hood Hotest Princess. and my very positive feelings toward that record and its deluxe edition uh have really kind of proven to be one of my more controversial takes of the 2020s. Pretty much every midwit who's ever watched me on the internet has come out of the woodwork in my comments on social media,

0:46 desperately trying to write off every opinion I've ever had because I dared to enjoy a trap album with some banger beats, some simple catchy choruses and runchy lyrics, which in the grander scheme of things are not even characteristics that are specific to Sexy Red in any way. In fact, throughout her career, she's been pretty open and honest about who some of her biggest influences are, referring to herself on occasion as the female Gucci mane. But Gucci and anybody else kind of influenced by or connected to him uh doesn't really get the same amount of eye or sexy does. And I wonder why. It's just been funny and almost even more entertaining than the music. uh to see people repeatedly fall for sexies trolls and somehow take her more seriously than

1:32 she takes herself. I mean, we're talking about a woman here who raps about the color of her booty hole. And despite Sexy not changing up her approach to music and social media that much over the last few years, she has still managed to maintain the attention uh pretty well of fans and haters alike. even if there weren't that many notable highlights on her last major release, the 2024 mixtape in Sexy We Trust. Now, given that tape and how much of a relative flop it was in comparison to Hood Hottest Princess, it leaves me kind of confused as to why she would go in the direction that she is on this new project here. Because Favorite Trapper, essentially what this project attempts to do is present this mixtape as album

2:18 type experience with a lot of subpar mixes, straightforward trap beats. It's very rough. It's very non-commercial, lot of tracks, really the kind of release you would put out in between larger albums and projects in order to keep your fans engaged and excited. But again, we just had an actual mixtape from Sexy Red back in 2024. And while the idea of Sexy doing a project that is raw and uh messy and not really concerned with wider commercial appeal is fine, certainly lends itself to the possibility of really wild over-the-top hooks and lyrics, which is very much what Sexy is known for. uh that sort of like raw mixtape vibe on this record is really only skin deep cuz in a onetoone comparison in pretty much every aspect

3:03 that you can think of uh favorite trapa is literally everything that was on hood hottest princess but dialed down. The beats aren't as well engineered or as produced. They don't hit quite as hard. Rarely do you get an interesting sample or a memorable melody. The feature list for somebody who is at Sexy's level of exposure is really dismal and underwhelming. Like, we're talking about a woman here who has collabed with the likes of Nicki Minaj, Drake, has gotten public endorsements from people like Tyler the Creator. Why not use these connections or these people who clearly want to do something with you and team up on some tracks and features that are actually exciting and will draw some attention to this project, even if it is for a casual mixtape type appearance. But none of those interesting names pop

3:49 up here. I mean, Kee Glock is easily the best feature on the project. But, uh, he's not really somebody who I think is going to draw me back to this album again. Although, I will sidebar here and shout out the track Cut Like Us because between Sexy, Pretty Pink, and Gettoh Bisha, uh, there is a really fun collaborative energy on this track. Just something I would have liked to hear more of on the 17 other cuts here. So, again, no real interesting features to speak of. production bland, predictable, uninteresting, not really elevating this project in any way, or even going quite as raw and noisy and out of pocket as uh what you might want a mixtape like this to feel like. But even more devastating than all of that are Sexy Red's vocals and flows all over this project, because for some reason, she sounds asleep at

4:35 the freaking wheel on this thing. And I just don't know why. This is not the energy level she was at on Hoodas Princess or even her last mixtape. Like, did she record this thing in a very short span of time while she was tired or her voice was worn out? Her rapping and her delivery just sounds very underwhelmed, sounds very unenthused, sounds very muted on every single one of these songs. In fact, most of the time the adlibs sound more hype than her actual flows and choruses with the exception of maybe a few tracks. But for the most part, this project is very sleepy. And not only are the vocals toned down, but I feel like a lot of the writing is toned down, too. And listen, I know that uh every sexy Red Hater out there knows or at least thinks they know that her lyrics suck. They're trash.

5:20 She's an awful writer. And look, I understand that she's not like big on word play or anything like that, but at least for me, part of the appeal, the selling point of Sexy Red's music is just how audacious and over-the-top it is, how self- aacing and runchy and funny she can be. And she does not bring that energy to her usual degree on this record. In fact, I feel like there's a lot of lost potential left on the table here on a number of songs that start with really funny titles and premises, but Sexy Red doesn't manage to say anything funny about them. Whether it be Richer than All My Ops, [ __ ] I'm Awesome, uh even Team Lil Booty, Tatted as [ __ ] Too, I would say the only tracks that rise up to that usual level of sexy red ridiculousness are Hood [ __ ] Too, as well as the poorly sung

6:06 and highly sexual If you want it. But outside that, it's really hard to feel like you're in on the joke with this project because there are little to no jokes to be found. Of course, also with this project trying to frame itself as a mixtape, you have all of these, you know, shouty DJ drops and passages and intros that for the most part come across cringe and kind of mismatched because the energy levels of these songs for the most part are really low. Like DJ Holiday, when he does appear on this thing, he sounds more excited to be there than Sexy does. God, this is just such a boring, uninteresting album. And it's really sad because I don't think it needed to pan out this way. And that's not to say the Sexy Red needed to like switch up her sound massively or do anything too radical or different to uh make a great record. Like, she could

6:52 have simply stayed in the same lane, but continued to invest in her music in ways that made it sound bigger and more over-the-top and just more exciting. bring in more cool inclusions either through uh collaborators and guests that we're familiar with or new faces and producers who might do something a little bit different and contribute to uh Sexy's world in some way. But if this is all Sexy Red can manage at this point in her career, I I don't think she's that focused on the music at all. In fact, that weird viral clip of her uh kind of freestyling some crazy [ __ ] over a Michael Jackson instrumental uh was way funnier and way more interesting than pretty much everything she's done here. Yeah, I'm really at a loss with this one. I got to be honest, which is why I'm feeling probably a light to decent two on this one. Tran Zishian,

7:38 have you given this album a listen? Did you love it? Did you hate it? What would you rate it? You're the best, you're the best. What should I review next? Hit the like if you like. Please subscribe and please don't cry. Hit the bell as well. Over here next to my head is another video you can check out. Hit that up or a link to subscribe to the channel. Anthony Fantano, Sexy Red, Forever.

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