Aula 3 do Método para Flauta de Taffanel e Gaubert Sobre o Som e as lições 1 e 2

Breve Sommario

Questo video riassume la terza lezione del metodo "De la Sonorité" di Marcel Moyse, focalizzandosi sull'importanza dell'imboccatura e del controllo del flusso d'aria per produrre un suono di qualità sul flauto. Vengono trattati argomenti come la conformazione fisica favorevole, l'utilizzo dell'imboccatura per cambiare ottava, l'importanza di non soffiare più forte per raggiungere le note acute, e l'esercizio per automatizzare i movimenti necessari.

  • Imboccatura e flusso d'aria sono fondamentali per un buon suono.
  • Non soffiare più forte per le note acute, ma modificare l'imboccatura.
  • Esercizi per automatizzare i movimenti dell'imboccatura.

Introduzione e Conformazione Fisica Favorevole

Viene introdotta la terza lezione del metodo "De la Sonorité" di Marcel Moyse, che tratta del suono e degli accessori. Moyse suggerisce che una conformazione fisica con labbra non troppo spesse o sottili, un mento non prominente e la parte inferiore del mento leggermente pronunciata è più favorevole per suonare il flauto. Tuttavia, viene chiarito che anche chi non rientra in questo standard può suonare bene, ma questa conformazione è considerata più vantaggiosa.

Il Labbro e le Ottave

Si discute del ruolo del labbro nel produrre le diverse ottave sul flauto. Il labbro agisce come un "labbro" unico per tutte le note, a differenza di un organo a canne dove ogni nota ha una canna specifica. I cambiamenti di ottava si ottengono modificando l'imboccatura e l'angolo del soffio. Le prime due ottave hanno la stessa diteggiatura, ma per suonare un'ottava più alta, si deve modificare l'imboccatura e il respiro.

Controllo del Flusso d'Aria e Angolazione

Viene sottolineato che non bisogna soffiare più forte per raggiungere le note acute, poiché questo produce un suono sgradevole. Invece, è necessario chiudere leggermente le labbra per ridurre il diametro del foro da cui esce l'aria, aumentando così la pressione e la velocità del flusso d'aria. Inoltre, è importante modificare l'angolo del soffio: nella regione bassa, l'aria è diretta verso la parte inferiore del foro, mentre nella regione acuta, l'aria si sposta più in avanti verso il bordo del foro.

Esercizi e Automatismi

Viene evidenziata la necessità di molta pratica per automatizzare i movimenti dell'imboccatura e la modifica dell'angolo del soffio. L'obiettivo della lezione è familiarizzare con questi cambiamenti, senza frustrarsi se non si riesce subito. Si consiglia di studiare con pazienza e di seguire gli insegnamenti. Vengono eseguiti degli esercizi per illustrare i concetti spiegati.

Applicazione Pratica e Consigli Aggiuntivi

Si suggerisce di eseguire gli esercizi lentamente per comprendere la differenza tra le ottave e sviluppare il controllo dell'imboccatura. Per chi ha difficoltà, si consiglia di iniziare con esercizi di media difficoltà. Viene menzionato un metodo con esercizi e diteggiature per facilitare l'apprendimento. Si raccomanda di non muovere il flauto con la bocca o il corpo durante l'esecuzione, ma di mantenere una posizione stabile.

Lezione 2 e Conclusione

Si introduce brevemente la lezione successiva, che prevede scale di base e intervalli più ampi. Viene ribadito che la pazienza è fondamentale per sviluppare la comprensione del suono del flauto e la capacità di suonare sia le note basse che quelle acute. Il video si conclude con un invito a mettere "mi piace", condividere, iscriversi al canale e seguire le prossime lezioni.

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0:00 Hello, welcome to the channel, but I always dream of your leathers and today we will have class 3 of the subway from the cool Green family about the sound and accessories 1 and 2 and Thanks for his grandson talking about the sound Oh and I don't know there is one here physical conformation a physical constitution that I most favorably has a good embouchure which is not too thick pencil and not too jagged the chin not very prominent AND the underside of the chin

0:51 slightly public obviously He didn't say that other types of embouchure you don't live physical condition that does not fit this standard will not be able to play the flute He said it is more favorable and if big news that thin or thick lips play wonderfully more generally with this physical condition is more favorable text um Condominium in the embouchure So you're doing it now the same part is talking about sleep lack is the first thing it presents and that the lack has three octaves the first and it was you have the lowest notes

1:38 s of the photo the second Mental for you have the middle notes and warmed the higher notes good and as a lack there is the only turbo for all the notes of all ours using the same thickness of the tube because as well as a pipe organ flute pan the ideal is that each note had a specific tube but specific person and length it doesn't lack the version. So you make the octave changes with the embouchure and the South angle and you notice that the first

2:30 octave AND the second octave have basically the same typing the extension Redondo received plus the others between the first and second octave the station is the same as what you will change to play a higher note an octave above it is then you move the educators you change your breath you can for example you it's playing a note it will play on our 8th but so not higher then you can blow more blow harder but that's musically it's bad you can't do it musically so you play one Note strongest acute more suffering you will

3:19 not get to the high notes piano nor increase the strong not so ATRAP was not Federal not seek proper mind you suffer stronger to play a high note and it would be so wrong and there and watch me I just bought it harder so I can play a high one That's not good so how should we do it's ideal it's not blow harder it's ideal if you close your furideos lips a little bit and

4:08 when you do that you get the same airflow and you say Hi, the diameter or you reduce the hole where the sides that happen automatically the air acquires greater pressure and greater speed so you can play the treble you reduce the volume of the lips and then I suffer it automatically increases your pressure increases the speed and you also have to changing the angle of this breath on the flute works so the low end region imagine that this is the air or the air flow is lower but for the radius the lower part of the RAZR and as you will play in the Treble o air flow

4:55 starts to move more forward towards the edge of the Kaiser edge of the hole So this is how it works for the bird Acute as the cotton increases the radius to be the bones another goes up forward it is not possible to have a measurement exact is everything in practice everything difficult even demo issues because everything minimal difference but produces the adult So I'll give an example in the recording here a focused you notice that some change happens between mine and markers in the bass and not even your eighth place saw on further down and in the Acute blow still close a little

5:44 more so that the air increases its speed you also a certain blow angle is more prof good so you should never suffer stronger more used of this control to make an eighth a And then E there What's up G1 And then great practice is needed there is even enough for this to become automatic so that only invokers become automatism in the matter of closing this cement and changing the

6:32 breath number for that. not using anime, go on studying, do it consciously that we just talked about and you, as you go on studying, it will become automatic in this lesson 1 the goal is for you to become familiar with this change in my crosses, closing and other networks angle do not get frustrated if you can not go studying will execute these with patience and following all we ended He teach you I will then do the exercises 1

7:20 Hey

8:16 and there and you know that the selection Don't worry about the time I did it fast because I already had the person guide But you do it slow there's no time signature you can do two beats it's almost important that you do it slowly and understand yours son put one of ours the first octave after the second I can see you later the second instrument that you understand this difference first 8th grade on lower in the requested case, more relax when you

9:07 will do the same in the second 8th grade as well m So, close more budget, let's add it forward, so you develop this and but the positions of the drum phone I have a can there, there was my method of those who have a lot of difficulty doing this can do first medium initiation on flute, all already recorded has a link at the end of this video, Largo had it there, it was here doing and it presents a lot of notes and you have a tablature program and I left the typing in the link below, still with the photo of the photo so it's easy for you to know the position of Siam dilaterol you go there and read and see why the taffanel advice you already see several notes at the same time and photo and more these changes in embouchure than presenting the time there was

9:56 like I do on my grandson that's why you never tell me if you had It's not hard Fadel talk about it and do it because it's much easier to learn, now we go to the next lesson, there are two where it goes a little further, note here in this one he put basic mind scales and then at the end small intervals are already two and you already put bigger heels So you first make a safe place you got it then you do both because it will require more you will be more willing this need for changes is a serious singer Acute bass and treble is It's important to note that I never move Ready I've seen people who are and move in front but don't move

10:51 because my mouth removes And then the lack of a man together Because leaning against you should never keep moving your photo, you'd keep changing the jaw and it was like that a bit and if you do not move your body not you are very important'm responding's starting seems obvious but there people who learn stirring current and be very very bad so I'm going to shave write lesson 21 Hey Hey

11:45 Hi galerinha the spiderman 1 Hello okay that uses a little difficult but not impossible will fucking patience develops will understand how the sun on the flute so we ended up talking'll do apre it feels like you're missing is to accept that you don't play and how we really do our bass Treble So this was in selection number 3 so if you liked forget to like share subscribe to our channel and see you in the next class

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