Holmes " Millie Bobby Brown, Henry Cavill Mystery Adventure Full Hollywood English Movie HD #movie

0:09 Stop that. Excuse me. [Music] perhaps I should explain. My name is Anola Holmes. You may remember me. After solving my first case, hello. I started a business, a detective agency,

0:57 open and ready for my first clients. I was going to join the pantheon of great Victorian detectives, Detective Field, McKenzie Mintosh, Sir Alfred Hornblower, and the infamous Reginald Swain. And best of all, I would be joining my brother. I would be his equal, a detective in my own right, worthy of the home's name. Congratulations. Or so I thought. Am I dressing the secretary? How old?

1:42 Stone crows. You're young. But my age is an advantage. I can go to places others can't explore where others won't. And I can fight. I know jiu-jitsu. [Music] But you're a girl. Yes, I am. Um, what experience have you had? The Tukesbury case. Well, that was Sherlock Holmes. That was Sherlock Sherlock. Sherlock Holmes, wasn't it? I assure you it was mine. Good man. That Chukesbury. Very lad. Tell me. Tell me. Tell me. Yes. Might your brother be free? Read all about it. Sherlock Holmes in the case of the Brixton corpse.

2:28 So my brother, well, I had not a single case. Sherlock has been drowing in them, though his latest appears to be vexing him. My mother, meanwhile, is still on the run and trying not to draw attention to herself, though that's never been her forte. [Music] Yes. And then there is

3:13 him. My lords, reform is not a task to be accomplished, nor a bill that can be passed. Rather, it is a constant need for change. Lord Tukesbury, the champion of change and progress, a man to approach with the noblest cause. [Music] But I had no time for distractions. And besides, he's still an income poop. Too many people make it their sole purpose in life to fit into the world around them. This is a mistake.

4:00 It's your path, Anola. Sometimes you'll stumble. Sometimes you'll fall. But no matter how lost you feel, if you stay true to yourself, the path will always find you again. But my path, it seemed, had come to an end. I was a failure. All I could do now was go home.

4:54 Enola Holmes. Yes. I come to the right place. in. Is it true you find lost people? Where did you get this? It's months old. Found it on the street. And who have you lost? My sister. [Music] Watch the gap.

5:42 She disappeared a week ago. Everyone says she's run away, but Sarah wouldn't do that. Not to me. She's my only family now. This way. Don't do it again. The other girls are still at work. T. Thank you. Might I see her bedroom? Ours. You mean you're standing in it? We're lucky. Most girls here are five to a room.

6:27 This might help. Oh, Sarah likes to leave cheese out from She's soft. What does she look like, Sarah? About this tall. Pretty. Very pretty. Green eyes, red hair, freckles, red hair. We weren't sisters in the usual way. Found sisters. Sarah took her in. Who's this? Bess Anola Holmes. She's a detective. She looks like she blow over in the wind. May. So, Bessie, what was Sarah wearing the

7:12 day she disappeared? What's she doing? Shh. She's wasting her time. It was her other dress. The green one. Does she like reading? Oh, yes. She taught herself. Sarah said you had to learn about the world if she going to live in it. Makeup. Did she have a suitor? Nah, but there's plenty of taking an interest. She weren't much of a gardener. Look, how about you quit sniffing round? Quiet, May. Just let her do her job. [Music]

8:12 The 12th of March. Does that date mean anything to you? That's enough. We don't need ilk from people like you. I found her, so she's staying. Bloody girls poking her nose in. And she didn't leave a note. Just this. She worked two jobs, you see. We couldn't get by without it. wash glasses at a pub. Some place called the Steg Antlers. You can have it. Oh, no. It's all right. We'll figure that out later. So, tell me, when was the last time you saw her? Week ago at the match factory. She had a

8:58 fight with Mr. Crouch, the foreman in his office. What about? He said she was thieving. But Sarah's honest. The match factory? Is that where she works? Where will your work? We're match girls, ain't we? Then that's where we'll start. So you'll take it. You'll take the case. Thank you, Miss. Thank you. At last, my first case. Well, actually my second. I shall find you, Sarah Chapman. Red hair, green dress, makeup, science book, 12th spot. Whatever you've been up to, the game is a foot.

9:43 Stay with me. Follow my way. How many girls work here? 500, maybe six. How do I look? Is my neck a chief? All right. Oh, well, it's round your neck. Morning, Bessie. Morning, Dory. Mouth. Malf mouth. Come on. Next. Out. Please, Mr. Cross. I said out. Mouth. What are you looking at? O. You go. Name in the register. [Music]

10:30 Mouth. What are you looking for? Trifus. [Music] That's the phosphorus. Don't worry, you get used to the smell. Is this where she worked? Put the matches on the comb. Slide them along up and into the box. Simple enough. You try.

11:27 That is a penny for your wages. She's just learning the way, Mr. Crouch. Well, she better learn quicker or it's a penny off yours, too. Anyone else want a money? Doc, about you. Hey. No, didn't think so. Right, back to work. I need to get up into that office. Not a hope. Not talking.

12:14 All it takes is one small thing to change the rules of the world. O, faster fingers. Faster fingers. [Music] Hurrah. How did that bloody happen? Hey, I'll pick him up. Pick them up. Pick them up. Pick them up. [Music]

13:00 Right. Back to work. Why were you here? [Music] Red. Time's wasted. Don't you look at me like that. you. Stop choking. Green eyes, red hair.

13:51 So you did steal something. This is blatant extortion. Criminal. My pockets are empty. You think mine full? You gave me your word you'd find whoever was doing this to us. You sound almost threatening, Mr. Liar. This is not what I expected when we began our arrangement. And now theft on top of everything else. You heard the man. Get this dealt with. Come along, William. Sir, do you have any suspicions as to who this perpetrator might be? Would I me asking you an idea? Sir, perhaps if we were to consider whether this theft is connected, I have

14:39 ideas. Did I ask for your advice or did I simply tell you to get it done? I'll make sure the right people know, sir. Miss Troy. Yes, sir. As you can see, our ladies are working at the highest level of production and efficiency, are they not, William? Yes, sir. Please, if you will. Doris, how are you? How's your sister? Is she um still unwell? Yes, Mr. Lime. Typhus really is the plague of our time. Two years it's been killing these girls. Breaks my heart. Well, Lord McIntyre, if I um might

15:25 suggest a little lunch, I think we've earned it. How did Sarah do it? Get into the office. There was a fire at one of the stations. Foreman got distracted. Who station? Maze. Yes. You're a good detective in Ola Holmes. [Music] Everyone thinks detecting is a profession knitted with rules, but in truth, there's only one. Pull on every loose thread you find. She's a loose thread.

16:16 So, I'm pulling at her. Hello, sir. What's present, sir? Maybe. I'm afraid I'm married. [Music] Hello deary, we got your ticket. That's toughness for the sweet cheating face like yours. [Music] Where are you, mate?

17:03 Excuse me, sir. [Music] [Applause] I'm Yes. [Music] [Applause] [Music] Where did you get that? Where did you get that tile? Isn't it just a proper style? I should like to have one just the same as that. Wherever I go, they shout, "Hello. Where did you get that hat?" Where I go, they shout, "Hello.

17:50 Where did you get that hat? Where did you get that hat? Where did you get that?" Isn't it just [Music] one just the same as that? Wherever I go, they shout. Did you get all the way from Shanghai? [Music] [Applause] You the food that took my pan stick? Um, no. I'm looking for a girl called

18:47 [Music] She worked two jobs, you see. Some place called the Stag Antlers. [Music] You got 5 seconds to tell me why you're here. Did Sarah work here? She did, didn't she? And Bessie doesn't know. There's plenty Bessie don't know and plenty you don't need to tell her about. I know you helped her into that office. She took those pages. Why? What's happened to her? Just leave us be. All right. Posh girls like you don't belong in this fight. [Applause]

19:33 Hot or not, one thing I am good at is fighting. Now tell me, where is she hiding and what does she know? You got more to you than I thought. Huh? Whatever this is, May is on stage in 30 ticks and she's still dressed as a Jen. So let go of her now. Get her out of here. Be my pleasure. Come on. Where did Sarah Chapman do her makeup? Full of secrets, that one. And not a bad actress. Now, I'd have given her the boot if she weren't so good. But she did attract the men with the big pockets. Always useful. That shifted.

20:20 Which man? There was this one gent society type and he came regular, very keen on him. She was he'd send flowers, letters, his name never gave one. You see, they all think there's hope that love is coming their way. But it never is. Bloat like that. They want sheep, but they marry dear. As we two ate of the fruit of love, the fruit of love.

21:06 A belded ring in the sky above. So under that place with its blossoms white, a chapel awaits us out of sight. And a poppy. Is that his name? Why did she leave? Did she run away with this fellow or is she running from him? I hope it's the latter. His poetry is extremely bad. Heat.

22:13 [Music] be away with you, boy. Sherlock, what are you doing here? It's not safe. There's scary people about. Yes. Let me know when you meet one. Brother, are you quite yourself? I'm fine. It was just uh disagreement over a glass of wine and whose wine it was. And uh

22:59 I find after wine it was very difficult to make your arms and your legs move. Let's get you home. I don't usually invite, but I'm on the case. You see, it's proving rather tricky. Cap. Hello. No. Where are we going? 221 Baker Street. [Music] As it turns out, my brother is medievally heavy. It's like carrying a dead horse on which sits another dead horse. That's A. I'm in B. I didn't know you had steps. One should always have steps to avoid people stepping on you. That's the tip. You

23:45 should probably write that down. All right. Lift your right leg. Mhm. Now your left. There's a leg the left. You should write that down. Here we go. Home. Well done, Sherlock. I can do it. See, Baker Street. Oh, but it's such a mess. This is perfect. Don't touch anything.

24:31 What are you investigating? None of your business. I work alone. It's private. Oh, shh. I'm thinking the one should never be interrupted. I'm thinking Oh, you should write that down. Sh. Don't go in there. No. [Music] Sherlock's latest case. [Music]

25:17 Fascinating. [Music] And why prey have you moved everything? Nothing looks different to me. Nothing looks different. Your head is sore. I can't think why. This is why I don't have people in my rooms. Look what you've done. My papers are entirely out of order. Your case, it's vexing you. Seems to be an awful lot of question marks on that map of yours. Dundee cake door. I will see you again. Is that why you're drinking? I'm more than certain it's not so old. Maybe I can help. You can help by leaving. Huh? Yes. The world will be a much safer

26:04 place if we don't see the inside of Sherlock Holmes. Only the out. Crazy idea. Have you ever considered a flatmate? For what purpose? To stop you descending into this. Strange how those seeking advice so often like to dispense it. Did I ask for advice? I found you on the street. What may I about you? We're not playing this game. Shoes estate. Hair is not much better. You need to wash your clothes every now and again. So unnourished and you've lost your stop. And then there's your fingernails. Why on earth you work in a match factory? What? Last night they were dirty with green traces. This morning they are black. The

26:50 phosphorus from the matchmaking has mixed with the oxygen in the atmosphere. I wasn't in such a state as to not see that. How how and your neck is red. Someone has gripped it or held a knife against it. Are you involved in something dangerous? Because you are still my ward. If you need my help, my offer remains on the table. Don't be so desperate to prove yourself. Anola, I am not desperate. And I don't need your or anyone's help. But this I will have. [Music]

27:36 How dare he? How dare he lecture me when he can't even solve his own case and he lives in a bed of flamixing papers and bewildering mold? How dare he claim I'm desperate? It is not true and it is not fair. It is you. How are you? Are you well? You look I'm on a case undercover. Well, they forget I told you that piece of information. You know, it's the strangest thing. I I could have sworn I've seen you here before. Is that right? Well, this is my my route through to the Lords. Is it? How lovely.

28:23 I I breakfast here on occasion. I mean, yeah, it's a lovely place. I I I know the gardener here. We've been discussing what to sew for next year's crop. Some fine sunflowers. Uh a sweet William lovely vivid reds. I've seen all you're doing. Oh, that's it. It's nothing from the society pages. You are quite the eligible bachelor. Don't believe all you read. I wrote you. You didn't reply.

29:08 I was busy starting my own business. A perpetual challenge. Perhaps not something you'd understand. Well, and only if you need help. I do not. However, should my problem become horicultural, I shall seek you out. Right. Well, you know where to find me. Should a plant go missing? I hope you enjoy your breakfast. Yeah. Is he looking back? Oh, good. He isn't. I don't come here every day. Just on

29:56 days when I feel a need. And sometimes he doesn't take this path. Sometimes he takes the parallel one. You know where to find me. Find me. Find me. [Music] You know where to find me. Out of sight, the chapel awaits us with its blossoms white chapel. As we two ate of the fruit of love. As we 28 ate 28 28 28 bell did ring in the sky above. Bell. So wonder that place. Bell place. Wait out of sight.

30:42 28 fell place white chapel. Sorry, [Music] the game has its feet again. I will not lie. There is a certain satisfaction that you feel as a detective when your case comes closer to resolution. like sewing a new skirt, which I don't do, or teaching a dog to sit. You begin to glow with the acknowledgement of a job well done. There's a new home in town. That's right. Sherlock Holmes's maze map. My name will be known, and Bessie will have a sister once again, and that is a job well

31:27 [Music] done. [Music] Sarah. [Music] What happened here?

32:14 [Music] Mr. Poppy. [Music] May. What happened? Who did this to you? Was it him? Sarah's man. May. No. No. It's all right. I'll fetch a doctor. I'll fetch a doctor for you. No. No. No. No, no. Go back.

33:00 [Music] Miss Holmes. Inspector Lstrad. We know La Holmes. She She's dead. How'd that happen?

33:49 Oh, no, no, no. I'm investigating a case. A disappearance of a girl. Oh, that girl. No, no, no, no, no, no. Her name is May. She worked at the the Paragon Theater, the Matchstick Factory. She was she was a dancer. She's friends. Superintendent Gra. Good morning. Good morning, sir. I was sent to investigate a possible disturbance. Someone heard some screams and then I discovered this young lady. Her name

34:34 Holmes. His sister. Uh, detective too. Good god, another one. Shouldn't you be in finishing school? Investigating the disappearance of uh Sarah Chapman. Trey Chapman. Well, well, how intriguing am I? She's wanted for theft and blackmail. Blackmail? Yes, detective. Still warm. No rigger mortise. When were the screams heard, Inspector? 10 past the hour, sir. And when did you arrive, detective? around the same time. Even more intriguing. No, I was trying to suppress the blood. I was trying to save her

35:20 or trying to get information out of her. Give her a search inspector. Oh, look. Can't pay her down, sir. Come along, Lester. Let's not be koi about this. She's a detective. She knows the rules. Yes. What? Um, give me that bag. What's this? My evidence. That nothing. Why are you hiding it? found at a murder scene with a freshly dead corpse

36:05 harboring evidence isn't going to look good. Superintendent Grail, you can't believe. What can't I believe, Missy? That young ladies don't have the hands for killing. Now give them here. [Music] All of you. Why ever would you do that? Out of the way. Move. Stop. You've seen this before.

36:53 Oh, Estrad of Scotland Yard. You remember me, I hope. We're looking for your sister. She's caused a bit of trouble. Am I on? Is it sir? Is it? Take it. I have others. Take it. I can't. But I can. I can't. Perhaps I can.

37:41 [Music] And this a famous fiddle that I do not have two of. Perhaps you can explain what you believe and no done. I wish I was at liberty to say so. Do you mind? [Music] Oh, your latest case. What's it concerning? Is it another Brixton Strangler or a Periwinkle? Don't tell me it's a Clark. And will What evidence do they have against my sister? Perhaps uh you tell me yours and I'll tell you mine.

38:29 Government case. A missing money. Now you super wants to talk to her. That's all. Why? Just following orders. Mr. Holmes. Or may I call you Sherlock? Graden. Graden Lstrad. My father thought it distinguished. And it is rather. Well, anyway, should you ever wish to call me that? As you were. [Music]

39:20 My mistake. I should have warned you I was opening it. No, dare I ask? [Music] Good afternoon. May I ask a favor? Never mind. Tell me everything. A government case. No. Is there another Brixton Strangler or or a periwinkle? Perhaps you tell me yours and I'll tell you mine. He's a ninny. I needed to know what he

40:06 had on you. Money. Unaccounted transfers going in and out of government offices. My theory is either bribery, extortion, or blackmail. And what have you found? Separate filings from five different accounts going via the treasury into one private bank. So someone is getting rich from this. Yes. Who? No name, just a number. I visited the bank and inquired. The money disappeared, arriving at another bank and then another and another and another and another and another. Every one of them hidden using different account numbers. 27 in total. And what can you deduce from that? Three things. Firstly, the man's a game

40:52 player, perhaps a genius in mathematics, capable of covering his traces at every turn. Secondly, the sources are varied. Five banks south of the river, but no clear link between them. All anonymous, all going into one pocket. on the third. He knows I'm on to him. What? How? Every time I pull a thread, it loosens and vanishes and reappears somewhere else. He's leading me a merry dance. It's infuriating. So, no leads whatsoever. One, a week before the first transfer, there was a break-in at the Treasury office by a man in a taper crown hat. A taper crown hat? What was taken?

41:39 The document. They won't talk about it. Sensitive information presumably, but how it connects to all of this is so far eluded me. Your turn. I hope the blood's not yours. I'm looking for a girl, Sarah Chapman. Her sister employed me, Bessie. She worked at Lines Max Factory by day and the music hall at night. She has a lover whose flat I visited. He'd given her this 28 bill place white chapel. Yes. And there I found her friend murdered. And who killed her? This Poppy fellow?

42:30 I suspect so. Perhaps he kidnapped Sarah and her friend discovered it. Love what it does to people. How was she killed? A kitchen knife. And did you touch this weapon? No. Then why did you run? I found more evidence on her. This policeman wanted it. He has this walk. Grail, we have a history. This was in her pocket. [Music]

43:19 It's as bad as the poem. Leave it with me. No, it's mine and it's important. Grail said that she had stolen something and that she was blackmailing them, though Sarah wouldn't do that. How can you tell? You don't know this person. I feel I do. You came here running from the police. Someone is already dead and you are now a suspect in a murder case. You've let your emotions get the better of you. Stay here. Don't leave. I will look into this. But Sarah Chapman is my responsibility. No one else cares for these girls. I promised her sister. The first mistake a detective makes is to make it about themselves and not the case.

44:08 I know I know you're not a fan of unnecessary advice, but please don't turn into me. I should probably write that down. Matches your matches. [Music] Posh girls like you don't belong in this fight. We don't need help from people like you. You see, they all think there's hope that love is coming their way, but it never is. Jets like that, they want sheep, but they marry dear.

44:55 So, Poppy, you're a gentile, are you? And a well-healed one to afford a love nest like that. Don't be ridiculous. [Music]

45:52 A week before the first transfer, there was a break-in at the Treasury office by a man in a taper crown hat. [Music] Five backs south of the river, but no clear link between them. [Music] Match makers ball hosted by Henry and Hilda Lion. 12th Marchmont Square. Does that date mean anything to you? It's not a date at all. Their eldest son, William Lion, will be leading the first. Sweet Williams for their wonderfully vivid reds. As you can see, our ladies are working at the highest level to production and efficiency. Are they not, William?

46:38 Yes, ma. And all along, I thought you were a poppy. Let's see how sweet you are, sweet William. I'm going to a ball. [Music] It is I. It is not I. which when you're wanted by

47:23 the police is most useful. Free silence for his lordship Vik McIntyre. I I I'm sorry to break apart this glorious occasion. But well, I'm a politician. Any chance to stand on a stage, I'll always take it. And I must speak to thank our host and applaud his achievements. No masks, no matter for Henry Lion turns all before him into gold. Rough nonsense. Puter at best. What he has done with matches is legendary. In two years, he's turned red into black, or should I say red into white. And have this humble man turn his attention to typhoid and the working

48:08 poor, raising funds, diagnosing cases in the community. I'm overwhelmed. I'm simply overwhelmed. Ladies and gentlemen, I give you Henry Lion. and to his fine son, his heir, William. To the future, may ever be bright. [Applause] Right, Henry, light us up. Gladly. Now go and enjoy yourself. [Applause] [Music] I believe I've seen that dress somewhere

48:54 before. Oh, yes. Last year. I think it's charming, elegant. I think you're kind. [Music] Gentlemen, mom, good evening. This is a wonderful occasion, is it not? [Music] I mean, the guests are just delightful and the orchestra is most touneful.

49:42 [Music] I was wondering if I might be able to speak to you, Mr. Lion. Have I said something wrong? Where is your chaperone? Chaperon, my dear, you can hardly expect my son to talk to you unaccompanied. [Music] H I cannot talk to you without a chaperone. Of course not. Honestly. Is this what? Well, they are talking. They are dancing. Good evening, my dear.

50:30 Yes. How foolish of me. Good evening. [Music] It could be claimed with some justification that I might have prepared more thoroughly, but dancing is not one of my core strengths. Well, except he's a mother of a br you must go. Yes, you see my situation. [Music]

51:20 Who are you? The man's a game player. Separate filings from five different accounts capable of covering his traces at every time. One private bank vanishes and re going into one. Just a number. Perhaps a genius in mathematics. Leading me. Leading me a merry dance. It's a cipher. [Music] The poker, the prominard, the twostep. They're all dances. Dance 27 eternal.

52:08 [Music] Yes, the language of the dance. 27 dances. I've got you. Dance 1402 dance. [Music] Terrible, aren't they? These things. All Pompy do and popping. today. Have we met somewhere before? I feel I recognize you from somewhere. I simply have one of those faces. Mira Troy, private secretary to Lord McIntyre, the Treasury Minister. Tabitha. Tabitha Timothy.

52:56 You mustn't let them concern you. It's just a performance. Everyone here is playing a part, testing each other, winning, losing, and it's fun once you know the rules. [Music] What are they doing with those fans? sending messages saying everything that is forbidden [Music] or too embarrassing to say aloud.

53:42 Thank you for the lesson. It's a lesson hard learned. Without power, we women must rely on our wits for our fortune because our chances are short. Here, take my van. I have no use for it. And if you wish to speak to William, you could always try with that. [Music] [Applause] No, not No, not you. Uh,

54:33 it would be my delight. Really? There's no need to be rude. I didn't mean to. [Music] Jukeree, your timing's impeccable. Nola, don't speak to me here, otherwise you'll be thrown into the street. I need you to teach me to dance. Teach you to dance when? Teach me to dance now. You understand? I've been learning since I was five. Good. I'd feared you'd be a

55:19 terrible teacher. Anola, what are you doing here? I'm looking for a murderer. Though I shouldn't have told you that. Forget I told you that. I'm trying to save a girl's life through dance. Please, Stokesbury. All right. Hold your back straight. Now, I'll place my hand here and here. Oh, yes. Hold your arm up. Good. Now I will lead and you will follow. That seems like a mistake. Face over my shoulder. And now 1 2 3 4 2 3 1 2 3 4 2 1 2 3 2

56:07 Good. You seem different since last we spoke. May you tell me why you've been coming to the park. Why? Why watch me walk to the Lords? Simply keeping an eye on you in case you get yourself into any more scrapes, getting thrown out of trains, things like that. You cannot be trusted to take care of yourself. I'm a man now. You're a man when I tell you you're a man. And the scrapes I find myself in are far less visceral. Now come on. Three, two, three. Look into my eyes. The rhythm is always there. Dancing is a

56:52 trust. It's a union. That's why I've always loved it. Even when I was being chewed by my uncle. And that manlike support mustard pie. His breath turns. Feel it. I can feel it. [Music] Good. Dance well. Perhaps I am a fine teacher. Though his breath has less mustard on it than I'd hoped.

57:46 We have an urgent situation. I should go. You'll need a dance card. But I don't know enough. What does that mean? You'll learn now. Don't touch the ginger cake, please. Hopscotch with your bows. [Music] Hello, Mr. Lion. Yes. I was wondering if we might have a

58:32 dance this evening. My dance card is full. May I see it? Your last waltz is still free. How fitting. Would you mind [Music] Until then,

59:19 [Music] Dear he admire Lord Chukesbury. No. We are old friends. I hear he's a good man and a great reformer. Well, if you wish to dance with him, you may have to wait. That's quite a cue. Yes, I mustn't lose my chance. Good evening, Miss Pagatha. Sicily.

1:00:08 Good evening. Forgive me for interrupting. My name is your friend today. [Music] Ladies and gentlemen, please take your partner for the last [Music]

1:00:56 You know, I swear I know your face. What must it be? We have never met before, but I've seen you looking. Why? Of course. The Paragon Music Hall. I saw you talking with a young woman there. Sarah Chapman. Just locate from me and I will scream. The police are on to you, Mr. Lion. As it happens, they are on to us both. You are not invited here. What do you want? I'm a private detective hired by Sarah's sister to find her. Bessie hired you? You know Bessie? Leave me be, please, or you will ruin everything.

1:01:41 How? What will I ruin? They're watching. If you must persist with this, meet me in the library at midnight. Say nothing more now. Midnight it is. [Music] [Applause] [Music] Mariotti,

1:02:28 who are you? My word, you do these in awkward places. Why are you holding a poker? You must leave. I'm waiting for another. Another. You're scared of such that you need a weapon. You are always here when I don't want you to be. And sometimes here when you do. What's the matter with you? Nothing that need concern you. I like the look at the one you were dancing with. What's her name? Sicily. She would make you an excellent wife. Anola, I'm concerned only for you. Tukesbury, if you're still here, you may scare him away. Scare him? All of this is over a man. Just leave.

1:03:24 Lord Chubsbury. Nola Holmes, you're under arrest. Try to escape and we will make this ever more difficult. Just make it quiet and spare the fine people. Any embarrassment, sir. Whatever this is about, I'm I'm sure murder, sir. It's about murder. [Music] Tick me. It's all right. Constable. Go on. Keep them safe. Please. Come alone. [Music] I knew she didn't belong here. [Music]

1:04:14 Despicable crisis. [Music] Quite a party. You danced with a young master lion, I hear. May I ask? Impertinently, I'm sure. Did you want to kiss him or find out more about your case, Sarah Chapman? Look, if you're trying to protect her, know this. I will protect her better. There's someone wants to talk to her and

1:05:01 they're not as kind as me. Someone? Who? Why were you following me that night? You were following me, too, weren't you? That's why you found the flat. My shirt, silk on a policeman's salary. Who's paying you? Superintendent Grail, who's paying you to kill Match Girl? Where's Sarah Chapman? I don't know. She's a thief and a troublemaker. You don't want to risk your skin for her.

1:05:48 Well, if I can't find it out from you, I'll find it out from someone else. Like her sister, little Bessie. She's just a little girl. Oh, but that's how it starts in Olar with little girls like her and you and Sarah Chapman asking questions, doubting those in charge, not seeing their protection for what it is, trying to tear it down. Well, it only takes one little flame to start a fire. And my job is to keep crushing those bloody flames out. Now, I'll be kind and give you one last chance. Where is she? I don't know.

1:06:39 Then you're for the noose. Some detective you were stuck in need. [Music] Sir, sir, don't be ridiculous. Superintendent Gra. Mr. grounds. I'm here for my sister. If you can arrange her release, I'd much appreciate it. She is my ward and a minor and a murderer.

1:07:24 Any evidence you think you have against her, I can assure you. I have plenty. She was seen arguing with the victim, following the victim, fighting with the victim, and lastly standing over the victim's dead body. And when we find her there with blood on her hand, she bloody runs. I saw your misite. Marks on and around the door show that it was forced open. And recently, there were signs of a scuffle with boot marks from three separate intruders, one of them heavy set. Judging by the height and extent of the subsequent damage, traces of fabric and spots of blood suggest that there was another occupant,

1:08:10 likely female, who seems to have fought back using a sharp and improvised weapon [Music] before escaping through the window. I'd say this was a targeted search and interrogation in which two women were discovered and then my sister arrived. And you were curiously fast to arrive after her. Now, are you going to release her or shall I? Sergeant Baston, if you please. So, fingerprint matching, new invention, Swiss. You have heard of it? I have. Would you care to look? makes our work so much more efficient,

1:08:56 especially in a murder case. My sister never touched that weapon. Then why are her prints on him? [Music] It's a great age we live in, isn't it, Mr. HS? [Music] Have you any sense what time it is?

1:09:44 Hello, you're lucky. I almost broke your legs. Then I recognize the shoulders. You have very recognizable shoulders. And no one has been arrested. For why? Murder. What she's got tangled with it may go wider than I thought. And there's something about this case that deduction alone will not solve. I may need your I need your help. We need your help. Exercise 15 minutes.

1:10:30 Well, like my mother always said, those who can turn to others when they're in need are the truly brave amongst us. Your mother sounds very different to mine. [Music] I did try to stop her, but she's full of this fight. Go finally. You can't control Anola Holmes. She's a force of nature, a law unto herself. Go easy on her, girl. Yes, she is. And I fear you were hanging.

1:11:20 [Music] Come on. Always is good to see you.

1:12:06 They're on to us. Be ready in there. So, this case of yours, how's it going? I don't know. I was just trying to help a girl find her sister, and I think I've made things worse. Nonsense. You set up a hornet's nest. You are on to something. Stand by. Why else would they try and silence you? Don't worry, it's completely harmless on your left. My left are yours. Yours,

1:12:57 [Music] this batry, what do you know about it? It's a roaring success. In two years, it's doubled its profits. And now there's typhus. Typhus? Yes. The girls are going down with it. They're dying. That's a loose thread. What? Here they come. Break it out. We know about these factories. Come on. Come on. Girls like Sarah Chhattan, they're expendable. They go missing too often. They die. No one cares. But this girl, they care about and greatly. So what does she know?

1:13:43 Get up here now. She stole something. Some papers. Aha. So what's she going to do with them? What's her plan? She's not a thief. She's not a black mailer. She is a troublemaker. She knows something and that is infinitely more dangerous. Come on, man. Stop to the right. Your mind. Wait for it. Left. Wait for it. Straight. No. Get it out. Get it out of here. [Music]

1:14:32 Now, whatever Sarah's hiding, Anola, it's a secret. You need to look for what she knows, Anola. Find that out and then everything else will follow. Which is probably right under your nose. Get down. Well, this is rude. You're right, EA. It's just the M. [Music]

1:15:47 That's not good. You all right? All right. I'm all right. Yeah. Oh no. Glory be. It's the Holy Trinity. [Music] I'll make commissioner for this. Take him. Must we? I fear so. [Music]

1:16:39 I love [Applause] [Music] me. [Music] This is not homeless. [Music]

1:17:31 Oh, good thing I never valued my pelvis. How about you, Edith? How are the kidneys? Fine. I quite enjoyed it. You enjoy everything. It's almost irritating. Come on. This way. Better get a move on. All right. So, um, how's that useless boy of yours? I hear he's doing good work. He is. Mhm. Well, then perhaps not so useless after all. I wouldn't say he's my boy. You know, I sometimes think I brought you up to be too independent. Mother, I did. I did it with all of you.

1:18:18 Your purpose must be to find who you are. You, Sherlock, Minecraft, strong, formidable, individual children, but but perhaps a little lonely. You will do very well on your own, Inola, but with others, you could be magnificent. Who do you think organized all of this after all? H me? No. You find your allies, work with them, and you will become more of who you are. You speak with one voice, and you will make more noise than you could

1:19:03 ever have imagined. Come on, she should go. We'll put them off her scent. So you dust yourself down, keep facing forward, and if you ever get condemned for murder again, you give me a shout. I will. Thank you, Edith. Be careful. [Music]

1:19:53 and get a haircut. It's a mess. I think my hair is fine. [Music] I need you to pack your things. I need you to be in a safer place. Is Is my sister gone like May? No. Is she? No. I'm sure she's all right. I'm closer to finding her. Doris, she'll temp me in. She's got a spare bed

1:20:40 now. Her sister dead. Typhus [Music] dead. [Music] There's traces of something in the soil. One has red and one has white in it. The matches you make. When did they change from red to white? I don't know. Around 2 years ago. In two years. He's turned red into black. Or should I say red into white.

1:21:27 Typhus. The plague of our times. 2 years it's been killing these girls. [Music] out. What are you looking at? [Music]

1:22:29 I need your help. Well, don't make me repeat it. May I come in? Firstly, I would like to apologize for so much. I have failed to see allies in plain sight. And I have No, there's something I wish to say to you, too. Oh, all right. All day, every day, all I do is compromise. If I vote for this Lord's bill that will allow him to pump billagege water into a clean lake, then he will vote for my forestry reform. I want to stand up and say this isn't right. But I have no allies. So to do so would be to risk all that is good. So I lie awake trying to work out which path to follow alone.

1:23:17 There is no search for a wife because politics consumes me constantly. That is the speech I stored up for you. You are a good man. I'm a man now on occasion, but I understand your struggle because I struggle too. And I am sorry that we cannot talk more of it because I have the case to solve. The girl I'm looking for, Sarah Chapman. She has proof that girls are dying from the phosphorus they work with every day. And the factory are trying to cover it up as typhus. She knows it.

1:24:03 And someone is going to kill her for it. Then what can we do? We Don't open it. It could be the police. You're still wanted by the police. Of course I am. I escaped jail. You escaped jail? Forget I told you that. The lights are on. If I don't answer, I'll suspect more. Hide. Coming. Miss Sicily. I'm sorry it's so late. No, no, not at all. I I told you to come. I I want to help, but is anyone else here? No. Um, good alone, for it is imperative that I speak with you, sir. I feel that you're a man of great character and that I can trust you, which is why I fear I may

1:24:50 have to unbburden myself to you and it may prove shocking. Miss Sicy, perhaps we could do this. I've been wanting to speak with you about a relationship. Oh, that. Yes. Perhaps we could discuss this another time. Please, sir. I'm terribly sorry, but let me assure you I I do share your interest and we will talk again. Thank you. She's gone. She was flustered. Do not think of doubting me. Sicily was here for my help. She She told me at the ball that she's working on a bill to change factory law. She's unearthed something. Some corruption or other. She's doing what? No. If you have any concerns, I tell you

1:25:36 categorically. I I have no eyes for anyone. But well, no, this quite how I want to say that. But but to say in terms of romantic interests, yes, my interest is the reason I don't have to search. I'm busy with politics. Like I say, you admire Lord Tootsesbury. I hear he's a good man and a great reformer. Interested in the woman I would be most interested in. I must not lose my chance. You're not listening. Good evening, Lord Jes. You shouldn't have a chaperone. You got 5 seconds to tell me why you're here. I have been blind. The phosphorus from the matchmaking has mixed with the oxygen in the atmosphere. I have missed everything. It's probably right under your nose.

1:26:24 Sicily. Mhm. Sarah is Sicily. Sicily is Sarah. No. You know, look, what on earth? Did you understand what I said? Or rather, what I didn't say. Did you understand what I didn't say? Yes. You were saying that you learn that message you sent me with the fan at the ball,

1:27:09 what did it mean? It means I love you. [Music] Ladies and gentlemen, to the future. [Music] Of course, they were working together in love. They had a plan. to expose the corruption in that factory and stop what his father was doing. They wanted your help. William Lion invited you to that ball. He's a radical just like you. They needed my help. You're right. But

1:27:54 but Anola, we must return inside. The police are pursuing you and we have much to talk of. No, I know we have much to talk of. My dear, dear Lord, you love me. And as it turns out, I love you, too. You love me, too. You really are a link poop. Now hail a cap. Shh. You're walking loudly. What? It's gravel. You've got large feet. I know. Wait here. Keep guard. If anyone comes,

1:28:40 just tell them you're a lord or something. I am a lord. Well, then they'll likely believe you.

1:29:35 [Applause] you. How ridiculous you are. I'm ridiculous. I told you to stay safe and stay away. Now you're breaking out of prison. We have the whole police force after you. Oh, are you hurt? I am sorry. Are you not hurt? Seems not. I wonder who taught you to fight like that. Another thing our mother has to answer for. She should have fed me as well as you is what I think. Hang on. Why are you here? Is it my case or your own? Both. I know how Grail got your fingerprints. Oxidized phosphorus dust lifted from the table and applied to the knife.

1:30:20 You're innocent. You doubted it. Nothing said certain it's proved. And your case? My adversary? His trail. It leads here. Seems our cases are connected. Shall All right. [Music]

1:31:13 William Lion, Sarah's love, and my thief in a taper crown hat. Stay unemotional. There's nothing more we can do for him now. Need to keep our minds fresh and our eyes sharp. He was seized. Yes. and searched for the document. He took a knife. No, bigger. A cutless heavy boot scuffs and scratch marks from a cane which has a metal feru grail. But at whose best

1:31:59 there was another in this room? This cigar had a holder. [Music] and traces of wool. Astrachan, the finest. Well, Lord McIntyre, if I am, might suggest a little lunch. Leave me be, please. They're watching. Where did William steal from? The Treasury Office. Yes. The office of Lord McIntyre. Treasury Minister. How did you come to that? I think what William stole was proof that Lion and McIntyre were conspiring together. Corruption. Yes. Fueled by greed. McIntyre has been

1:32:46 secretly profiting from the factory. They changed the match formula to a cheaper phosphorus. And it's deadly. Inola, I was concerned for you. You left me standing out there in the dark and I nearly tore my Sherlock Holmes. Not the time. How old my is he? Stay unemotional. But who did this? Lord McIntyre. No. But it all fits. No one has sat in this chair. There are no marks on the carpet. No indentation. The cigar has been smoked. But cold. And look, no ash. No lips have touched that glass.

1:33:32 Exactly. These clues have been planted for us to find. To mislead us from the true villain. This has all been staged. By who? Not McIntyre, but by someone who had a lot to lose without that document. Someone who knew what they were up to was blackmailing them. My opponent. Someone who likes a game. Did they get what they wanted? No, I don't think so. Poor William.

1:34:24 They did get something. May's terrible music. The truth of the gods could be biblical, mythical, theatrical. The gods is the top row of the theater. The balcony. Doesn't everyone know that? This isn't music. It's a map. Just to be clear as to what we might be about to face.

1:35:09 There may be some violence. You faced it before. Yes, I did have part of Zoo of Armor on. But yes, fighting will be. Yes. You've been in a fight before, haven't you? Yes, plenty of fights. Offense from my school. Fine. Can you teach me to fight? What? Right now in a carriage. Did I not teach you to dance in 5 minutes in a bathroom? All right. Fine. There are two secrets to fighting. Avoid the punch. Make the counter punch. I don't see how two secrets. Ow.

1:35:54 Your first lesson. Ow. You're second. You didn't avoid the punch. You let me make the counter. You can hardly expect me to hit a girl. Oh dear. Not some. Ow. Ow. Will you stop that? I can't stop. We're approaching. Keep going. [Music]

1:36:40 I may need more of those lessons. [Music] [Applause] X marks the spot.

1:37:28 Sarah It's all there. All the proof we need. The contract between Lion and McIntyre to change the phosphorus. What William stole for you. [Music] And the pages from the factory register. That's what you stole from the office. These are the names of the girls they killed. I couldn't let them be forgotten. And it's proof that match girls are dying from working in that factory. And they knew it all along. You're a bloody good detective. Inola,

1:38:18 you are too, Sarah Chapman. I will share this with the world. I promise you. Thank you. Now, we really must find William. You're supposed to meet me 6 hours ago. I'm afraid William won't be coming. What? I'm sorry. I'm so sorry. I told him we had everything we needed, that we should just go public.

1:39:06 He said nobody would care unless we had someone in power who would listen. He was just trying to keep me safe. And now I've lost him. We must move quickly or we'll lose you two. Losing this, losing that. Seems you've lost everything, Bessie. You've all been very careless. I'll take those. Let go of her. Give me the papers and I will. Run

1:40:05 with me. Don't just stand there. Ow. Get off of there. [Music] Avoid the punch. Make the count punch.

1:41:04 [Music] Too free. [Music] Ow.

1:41:54 [Music] Help. Oh [Music] my gosh. [Music] Bessie, run.

1:42:40 I said run. [Music] Got it.

1:43:30 [Music] You got more to you than I thought. [Music]

1:44:46 What place places we find ourselves in. What places indeed? I've always loved the theater. Got it. I used to dream I'd end up on the stage. [Music] You're not rid of me yet by count to through my quest of bas. the weather. [Music] No.

1:45:41 [Music] Are you all right? You are made to fight. [Music] Congratulations. Sus. Lord McIntyre, what are you doing here? I was summoned. Your brother knew that I would want to see the right people shown justice. And I don't know how to thank you for retrieving this government property and and bringing this killer to life. A rot

1:46:30 amongst our ranks. The world shall know the name Anola Holmes. I'll make sure of it. Lestrad, arrest that girl. She's done nothing wrong. Don't charge theft. All she stole from you was the truth. She took personal information which she used for extortion, blackmail, which is why she'll serve her time. Ah, but you are mistaken. She was not your black mailer. I summoned you here to draw that very person out. The accounting was

1:47:16 masterful. A tangle of roots, but all pointed to one pocket. One person receiving the fruits of their schemes with no one noticing. Hearing everything, seeing everything, ignored for years, playing them all. It's all a game. And it's fun once you know the rules, Miss Mirror Troy. Absurd. I don't believe it. It's remarkable what can be done when

1:48:02 people underestimate you. And then came the problem. William stole the contract and he threatened to cut off your money train and you couldn't have that. You hired Gra to retrieve the document, but things got out of hand. So you tried to point us to Lord McIntyre, a rare misstep in your game. Moriati. Such a shame our devotees mom has to end his terms. I was so enjoying it. And you Inola,

1:48:50 Miss Troy, you've been behind this. Of course, you never can find the proper staff. I only wanted the agreements back. And though I couldn't be seen to question William myself, you were so obliging. If you wish to speak with William, you could always try with that. [Music] Just a pity he was smarter and braver in the end than I'd expected. They both were. Their deaths were so unnecessary. But Superintendent Grail was somewhat of a blunt instrument. You How dare you take advantage of your

1:49:36 position? I take advantage. What were my advantages? treated like a common servant when I have twice the mind of yours, any of yours. Why shouldn't I have a share of your illbegotten riches and punish you at the same time? Why shouldn't I be rewarded for what I can do? Where is my place in this society? I am a woman. I cannot join clubs. I cannot own shares. I cannot advance

1:50:23 myself as they can. So I found my own way and it was fun. Stra take her away. More charge. Extortion. Yes. Blackmail. Murder. Good. Such a shame. Our little dance has to end for now. At least. Perhaps we shall take to the floor again.

1:51:15 No, no. Well, there that's that. I accidentally burnt my own property. What of it? You are corrupt, sir. I'm complicit in the deaths of hundreds of match girls. Where is your proof? Good. Sir, back to business. Sir, you cannot jigs. Patience. Glory be. [Music]

1:52:10 All those names, those lives. I failed them. Manola, don't say that. May gone. William gone. And they couldn't get away with it. You heard the man. Where's your proof? What do we have now? We have each other and we have the truth.

1:52:55 You're late. Best Chapman. you a penny. You're not welcome here no more. What are you doing? Wait. Get down. Get down. Let her speak. A few weeks ago, mate is William Lion and I set out to prove something. to prove that this factory was killing people and they knew it. But they decided that profit mattered more than we did. You're coming with me. Sh. It ain't typhus that's killing us. It's

1:53:42 the phosphorus. What we work with every day. You lying little tow rag. That's a penny off your wages. These were our friends, our sisters, and our children. Well, it stops now. It's time for us to use the only thing we have, ourselves. It's time for us to refuse to work. It's time to tell them no. Right. Get back to work. You will leave here. There is no coming back.

1:54:27 You will not get employed here again. Well, will you join me? Think of your families. Don't do it, girls. It is not worth the risk. Well, will you? This is how the world works. Please, girls. I know you're scared. I am, too. But it's the only power we have, [Music] right? Get our machine back on and get back to work.

1:55:18 Right. [Music] This can't be their future. Sorry, Anova. [Music] Stop that. [Music] Be one voice. That's enough.

1:56:08 [Music] Stop that. Anyone control this with me? Stop.

1:56:54 [Applause] [Music] [Applause] [Music] Where you going? Westminster. There they go. That's a whole lot of noise. She likes causing trouble, doesn't she? It's as if she was molded that way. She still needs that haircut.

1:57:43 Seems your boy has learned how to fight, Lord McIntyre. Indeed, he's not my boy. Pay what you can. And what will people bur you up? Potatoes and gratitude. If that's all they have, you can deal with the hoits and tootsites. This is where I should be. Besides, Edith says she'll be kind with the rent. You know, you are aware should you wish some finer surrounds, I could uh I was thinking

1:58:28 homes and homes a partnership. That is the kindest offer. But if I did that, I would always be in your shadow. Yes, though. I do like this new version of you. No one should be alone all the time. A friend would do you well. Perhaps I should write that down. I shall drop by to check on you. I would like that. Perhaps you could come to Baker Street from time to time.

1:59:15 to check on me. Perhaps we can fix on Thursday 400 p.m. Thursday at 4. It seems I shall not be the last to interrupt you today. And he has flowers. Sherlock Tukesbury. See you on Thursday. Mhm. Bye, Sherlock. Sherlock, your paper. Thank you. And thank you for everything.

2:00:12 [Music] Tukby, when did I give you the impression that I like flowers? They're called spreading bell flowers. Wild, of course. Attracted to ancient woodland, wiry, deceptive, refuse to behave according to any rules. But their petals are so delicate and their flowers. Two things. Your metaphor is tortured and I don't have delicate petals. Oh, and and and got us an invitation to a ball being given by Twix. I'm not going to a ball with you. I got arrested at the last one. Well, all the more reason to dance again, wouldn't you say? You're an income poop. And you are a coward.

2:00:58 How dare you speak to a lady like that? You are a disgrace, sir. And yet you still hold my arm. And yet I still hold your arm.