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3:22 [Music] I think the first thing that we should distinguish for today's presentation is that um Project Pegasus under the defensive research projects agency was the US time space program at the time of its emergence in the mid to late 1960s I was initially brought into Project Pegasus by my late father Raymond F Baga who was a special projects engineer for the Ralph H Parsons company which was the principal us defense contractor involved in Project Pegasus um sometime between September of 1967 and 68 he took me up to the old Curtis Wright aeronautical company facility in Wood Ridge New Jersey and there in building 68 was a Tesla teleporter basically consisted of two grayc colored parentheses shaped Booms that were called armatures between

4:09 which was broadcast a shimmering curtain of radiant energy and my father explained that when we jump through that field of energy we would enter a tunnel in time space and that Tunnel closed several seconds later we would find ourselves somewhere else in the country and so we jumped through that field of energy and we found ourselves in some that looked like um a bluish white tunnel such as people report in the near-death experience we were clearly moving at a great rate of speed but also there was a sense that we weren't moving at all that the Universe was being wrapped around us and when the Tunnel closed we found ourselves in the location where we were teleporting to for really the next 5 years which was Santa Fe New Mexico the state capital grounds at Santa Fe were being used by Project Pegasus as the

4:56 collection area for people who were teleporting into New Mexico from different teleports around the country um my dad took me to a few other defense contractor locations in New Jersey there in my first and second grade of of elementary school and then I was brought officially into Project Pegasus in the fall of 1969 which for me was the beginning of the third grade um I was seven and then uh quickly turned age8 around the time that I signed a basically a loyalty oath on on defense department letterhead uh that was in approximately ooc early October of 1969 shortly after we know the lunar Landing of July 20th 1969 and for the next 3 years in real time I was involved in a range of time travel activities under the egis of

5:43 DARPA that Project Pegasus was that involved in everything from conventional remote viewing of distant Targets in real time which is a form of psychic Time time travel all the way to through the form of phys virtual time travel that chronovisor allow where you're immersed in a hologram and you find yourself in a past or future location all the way through various forms of physical time travel such as tele Tesla teleportation and other methodologies that were being developed to to bodily teleport somebody to another location in time space so in real time in New Jersey I was involved um in Project Pegasus for those three years fall of 69 to the end of the summer of 1972 but when we factor in the fact that teleportation was being used to teleport us from New Jersey to New Mexico that we

6:30 were then spending time there involved in Project activities and teleporting back to the afternoon of the day we had left what ended up happening is that three additional Summers of experience were embedded into those years and those were the Summers of 1971 of 1973 accessed from 1971 and then summer of 1972 so I actually gained an additional 9 months of experience of life experience as a result of the the three time Loops that were effectuated using Tesla teleportation between New Mexico and then and then back to New Jersey so uh does does this take us through basically from 1968 to to 73 just sort of the overall experience without getting into the details of that

7:16 program well yes between between that initial jump that we know took place in the 1967-68 time frame because when we met with Dr Harold M agnu who was then the director of the weapons division at the Los alos National Labs and my father presented his his perspectus to involve us civilians including adults and children in the teleportation experiments that were then going on Dr agnu asked me and my I asked actually he asked my father my name and we both said six so that t teleporting and that meeting with agno had to have happened between September 1967 and September 1968 so we know that teleportation utilizing these types of Tesla devices was already operational by 196 768 and it was in the context of Project Pegasus

8:03 that I was involved in other time probes using different Technologies during those years so really the emphasis in between 1968 and 72 in real time was Tesla teleportation we were being trained and and showed how to be acclimated to and comfortable jumping through vortal tunnels in time space the other major emphasis of the project during those years were the chronovisor which propagated Holograms of P future events that we were either looking at to gather intelligence about non-local events or that we were immersed in whereby we were then relocated to those positions in time space right just a thing when you said your name was six it was your age was six right okay can we go back and you mentioned that in Project Pegasus you were uh Quantum displacing or time

8:50 traveling uh using Tesla technology to different destinations and I'd like to go through a number of of those and if you could describe those and state why you think it was that you in fact time traveled or displaced from one time space Lo from one location in a time space hologram to another the first one is to a dinosaur scene a scene of the dinosaur time right of course in Project Pegasus during those years which was roughly 1968 to 72 in real time in New Jersey we were being trained in different time travel Technologies the two major ones being the Tesla teleporter and then the chronovisor of ernetti jelli and ferming the chronovisor being not a teleporter

9:37 but a device that propagated a moving color hologram of a past or future event that when we looked at the Hologram we could it was essentially a a Looking Glass in which we could see a past or future event going on however there was a paradox and that was that if we stood on the stage of the chronovisor while the Hologram was brought in around us we subjectively experienced going to that past time and place at least on what I call a phys virtual basis in other words on a basis that included both physical aspects and virtual aspects the probe in which I saw dinosaurs as they existed around that [Music]

10:23 uh right just as I had the opportunity to go to Gettysburg and I didn't end up seeing Abraham went to give theburg a dress I was very Crest balling about that but because I had performed ablan well in Project Pegasus for the 3 years that I was officially enrolled um when I was in New Mexico living with my father in the summer of 1972 he invited his longtime friend Mary Constance Chavez who was known as Connie or or je friends as phly Chavez who was a native Albuquerque resident who had grown up actually in Oldtown aluer and it was from a prominent um Spanish American family in fact her cousin Dennis Chavez was arguably the most prominent senator

11:09 in the history of New Mexico so for immediate uh one of her brothers uh an elementary school in Albuquerque was named for so Connie was from a prominent Albuquerque family and was almost a folkloric figure in terms of being uh an employee of the LA Henda and La plac restaurants which were the two most popular Mexican restaurants in all of New Mexico during those years and still are uh so I had extensive interaction with Connie she was essentially my mother away from home when I was spending time in New Mexico after teleporting there as a child attached to Project Pegasus so my father had the opportunity to invite several people to a screening of a 20 to 30 minute black

11:55 and white documentary film again the 16 mm documentary film stock of that era uh and there were about this was at the Sandia National Labs outside of Albuquerque where Connie lived in New work and there were about maybe 15 of us all of us attached to work that was then going on in the labs in some way and um we watched as the film captured a hologram of the crucifixion of Jesus and as a child who had taken first communion he was attending Sunday school at a local Benedictine Catholic parish in Cedar nolles New Jersey um Notre Dame of Mount of Mount Carmel

12:41 Church I certainly could identify that everything that happened in that 20 to 30 minutes of film was consistent with the accounts of the crucifixion of Jesus that are found in the New Testament uh Jesus in the images was crucified with his uh with nails um having been driven into his wrists and pinning one foot over the other he was on about a 14 ft pole that was about as thick as a contemporary telephone pole there was a placard above his head that said inry he was wearing a crown of thorns that was very full and had was very Jagged and had been pushed on top of his head causing rivulets of blood to have

13:27 streamed down his forehead cheeks he was a Caucasian male with a sort of an aqualine nose and a thin gaunt face who was in extreme pain his mouth was a gape he had a very bushy dark brown beard and long hair and a very emaciated body type he was approximately I would say about 5' 10 but very thin and the events that were going on around him that we could see and actually in separate images the images were strobing as if the chronovisor had tapped different locations around Jesus's cross included women coming and praying at the foot of his cross the before being driven out of the area by Mor centurions I remember seeing what must

14:13 have been linous holding the end of his Spear and leaping up to pierce Jesus's side which is consistent with the biblical account the the sky grew dark at one point so from the perspective of a Catholic Sunday school participant what had been recorded apparently was consistent with what had been recorded in the different New Testament accounts of the crucifixion when we left the screening my dad turned to Connie Chavez and said Cony I don't know why you're reacting like this she had been just squirming out of her seat she couldn't watch it she was covering her eyes at one point sometimes looking through her fingers and she turned to my father and said Ry she was a very devout Catholic who was always helping the nuns there at

14:59 the San Philippi jity Church in Oldtown Albuquerque and uh she said Ray they were crucifying my Lord how do you expect me to to add and he said I know Connie but we also have images he said my team retrieved images that 3 days later there's a flash of light in Jesus's Crypt two angels appear Jesus stands up and all three of them push the stone away and Jesus walks out of his grip and she said you you're kidding R he says no we also have images of the resurrection of Jesus now I don't say that to prosze but just to share what I experienced in that setting and that begs the question of what was being accessed byon by a

15:44 chronovision that led to the production of that film it was either the actual crucifixion of Jesus of Nazareth or it was the actual imagery of another European male of his age and general appearance among the 600 men fitting that description who were crucified by the Roman Empire around the time that Jesus of Nazareth was or it was a synthetic recording of the crucifixtion of Jesus or another man [Music] that