0:00 I've sacrificed everything searching for it. A world within a story whispered to me centuries ago. Of a timeless power, infinite in knowledge, voracious in hunger. the entity. >> A realm so close to ours but always out of reach. Until I found him, Frank Stone, my key, my killer. I am Austinine Liieber,
0:45 and I'm about to change our worlds forever. Come on. Come on. Come
1:40 on. Apat.
2:35 All there were and they that the earth said what is your if you were somewhere else then you spoke Though it made my life,
3:34 >> I'm assuming you're the night watchman here. >> I am. Or just you covering the entire site. >> Oh no, I got help. >> Where are they now? On duty of a manner. Merlin just goes where he pleases. >> Merlin, a dog. Dope them pincher. Best friend a fella could ask for. Loyal to the seventh horn sounds. Trust him more than I trust myself. I need to ask you a few questions. I'm yours to dispose of. Can I have your name? Thomas Jefferson Ho. Call me Tom. Officer Sam Green. Tom, I want to talk to you about I know
4:20 it about that missing boy, right? >> That's right. You think he could be missing here? This mill looks a big place. >> Biggest all see the hills. But that don't make no difference. Ain't no funny business going on around here. Not undermining Merlin's noses. Are you sure? Sounds like a lot of ground to cover for just you and your dog. >> It's a big job. Yes, sir. But ain't it the magnitude of the labor that keeps a man alert and ready for action?
5:11 Been drinking, Tom? Just a little night cap. >> Night caps usually happen before a nap. This a regular habit? Regular? Oh, no. Not regular. more soda medication taken only in time of need. >> How often is that? >> That what you come out here for? To give a veteran a hard time about his medicinal practices? >> No, I'm here because a child is missing. And every minute wasted is another chance gone to find him. >> Well, you ain't going to find him here. I'd know it in my bones if that boy were within a mile of this mill.
5:59 What makes you so sure? Is ESP a side effect of your medicinal practices? >> Now that is out of line. >> Sorry, officer. I want to help. I really do. But I don't know what else to tell you. >> Welcome to have a look around the place yourselves. >> Thank you, Tom. I think I'll do that. Happy to oblige.
7:41 An open window. I can get in through there. Huh? Easy does it.
8:58 Huh?
10:06 Hello. Anyone here? It's police. Who's there?
10:57 Smells like death. Hey, mister. That's Officer Green. >> Sure. You haven't seen Merlin, have you? >> No. Sorry. You all right there? Yeah, it's just Jesus. You don't smell that? >> Sniffer's out of commission. Got a little too up close and personal with a can of mustard gas back in the trenches.
11:42 Ah, >> it can be a blessing in disguise. >> Got to find out where it's coming from. >> What's it smell like? >> Nothing good. Merlin, there you are, boy. We wondered where you got to.
12:31 Point dam it. Sure would have liked it if you two made proper acquaintance. God damn it. You put this out for him? >> No. It looks like someone else has found his way to your boy's heart through his stomach. >> It ain't possible. Merlin and me, we're a team. Hood want to come between a man and his best friend. What's that? Some kind of wiener mate?
13:22 Will you look at that? That damn dog. Think that belongs to the boy you're looking for? Nah. Came from someone much older. A teenager maybe. >> Jesus. Married a milk mate. Hey, you know about any other folks going missing in Cedar Hills lately? >> Well, I don't know. Who would know a thing like that? >> Well, somebody does.
14:28 What was that sound? Stay behind me. So, what is this thing? >> The great? >> Yeah. What is it for? >> It's uh for the furnace, I think. >> You don't know for sure? >> Yeah. I work at the mill, not in the mill. H.
15:26 Huh? Gotcha. Stand back.
16:35 All right, take this. Use the radio in my car and call the station. >> Where where are you going? You You really think that boy's down there? >> I don't know, but I got a feeling. And it's not a good feeling. Hey, I'm going to need you to take this, too. Make sure the sheriff gets this. Oh boy. I don't know. Sure could use a little pickme up right about now.
17:23 >> I think you're better off keeping a clear head. >> Now, where's that ever got me? >> I'm serious. We don't know what's out there. All the more reason to put on my liquid shield. Like if something bad's going to happen, it's going to happen whether you drink or not. So you got to decide if you want to meet this like a man or you want to meet it like a drunk. Hardly seems like a choice to me. Hey, I'm counting on you, Tom. Hope
19:00 Damn it. Huh? This has got to be it.
20:06 What is that? Ah, this place turns my stomach. Godamn small spaces.
20:54 My god.
21:55 Good lord. This is hellish. Son of a [ __ ] Crap. >> [ __ ] Ah,
22:48 no. Stop.
23:45 Ah! Heat.
24:48 Come on. Run. Sleep tight, [ __ ]
26:21 It's okay. It's okay. Okay.
27:10 Mom. Huh? None of this is right. What the
27:55 hell?
29:25 Mom, what's wrong? I'm here. Everything's all right. The uh temperature on the ground is a 13°
30:12 F. And we'll be starting our final descent airport in just a few minutes. Get her grip. She walks these hills in a long black veil. She visits my grave while the night winds way.
31:02 And nobody knows. Nobody sees. >> You can do this, Maddie. Just stay on the right side of the road. I mean, the left and the left side is the right side. >> The scarf was high and eternity was near. >> Is that a hitchhiker?
31:56 Uh hi. So, uh, you need a lift? >> Reynolds got a flat. >> Oh, you're American. >> Yeah. >> So am I. >> Okay. Yeah. So, do you mind giving me a lift? >> Right. Sure. Of course. >> You can drop me off at Garant Manor. It's just a few miles up the road. >> Huh. Where? That's actually where I'm going too. >> So, it's not out of your way. >> Uh, guess not.
32:56 So, we're both going to the same place, huh? What are the odds of that? >> Yeah. I mean, I guess it's not all that odd seeing as, you know, we're already pretty close and I don't think this road goes anywhere else. >> So, did you say you were going to Garrett Manor for business or >> I did not. >> Oh, so um where are you from? >> From >> like where do you live? >> Paris. That's where I'm from currently. Before that, I was from Amsterdam, Dublin, Milan, Los Angeles, and Oregon. Once upon a time. That's cool. Hey, my mom's from Oregon. Well, one of them is.
33:43 I always heard it was really nice. Or kind of a [ __ ] hole, but like a really nice kind of [ __ ] hole. I mean, I wouldn't know anyway because I've never been. I'm a big apple girl. Born and raised. Barely even made it north of 14th Street before going off to college >> here in England. >> No, Berlin, actually. Oh, I'm Maddie, by the way. >> Linda, it's nice to meet you, Maddie. >> Yeah, you too. Even if I was worried you might try to clon me. >> Ah, sorry. So, what do you know about this manor we're both coincidentally going to?
34:30 >> H what do you know about it? >> Hold on now. That's not fair. I asked you first. >> Okay. Well, I don't know anything. And I'm guessing neither do you. >> I didn't say I didn't know anything. >> Yeah, you did. You could tell >> kind of. Yeah. >> All I know is that I was invited for a personal audience with Augustine Liieber and that that was supposed to be super fancy or something and that it would be in my best interest not to turn it down. >> Huh? What? >> My invitation was pretty much the same. H.
35:22 Hey, take a look. I think we've come to the end of the rainbow.
36:11 This place is definitely a little too uh >> on the nose. I was going to say a little too much like a horror movie. >> Exactly. >> So, um, do we just knock or >> I'm not sure. >> Oh, a doorbell. >> Maybe nobody's home. This is definitely when I was told to get here. >> Me, too. Hello. Anybody home?
37:00 It's a good rule of thumb to try every door. >> No. You think? >> Well, they're expecting us, aren't they? >> No way, is it? Do we just go in? Why are you asking me? Cuz you're a grownup. So are you, Maddie. Then uh here we go. Apparently. Why are all the lights off? beats me.
37:50 Hello. Let's take a look around. Um, hello. We've arrived. Huh? Even I could play this.
38:51 Really digging these creepy cottage core vibes. Hey, I think I figured out why there's no one here. >> What? Why? >> I think they must have forgot we were coming and went on a trip or something.
39:39 >> Maybe. Do you play? >> Um, a little crazy right? >> Uh, yeah. >> You've seen a real secret passage before? >> It's fairly common for old mansions like these to have concealed corridors to allow the servants to come and go while being seen as little as possible. You got some of these in your house, too huh? >> Secrecy is a privilege of the rich, stolen from the rights of the oppressed. >> Okay.
40:26 Kid must have had a creepy doll on their Christmas list. This seems a bit more lively. >> Ah, ladies. Hello. Hello. Welcome. Hello. >> Didn't exactly get explicit directions as to what to do once I got here. So, >> yeah. Um, same.
41:12 >> I am so sorry. Where are my manners? My name is Stan. And you would be >> Maddie. Beautiful name. Short for Meline. >> Madison, actually. Ah, >> middle name Lexington. >> What? Midtown, the Big Apple, the the city that never sleeps, home to the most beautiful of women and fishly desperate of men. >> Madison Avenue. Okay, got it. >> A fitting name for it. Such a lovely lady. >> Um, have you been waiting here a while?
41:58 >> More than a minute and less than a lifetime. Is that long? >> Well, it certainly felt that way until you arrived. The front door was unlocked, so I wandered around and made myself at home till I found a way to really make myself at home. >> Isn't it kind of weird there's no one here? I mean, we were invited, right? Ah, >> yes. Well, one could write a book in all the incomprehensible complexities of British hospitality. Many have, in fact. Oh, Stan, this is >> Lynn Duck Castle. I am such a huge fan of your work. I I am at a loss for words. I am just humbled by your presence. >> Uh, okay. Sure.
42:44 >> Who knows Stanford III? That's your back end call. Only if you call me Stan. >> Sure. >> Truly an honor. Truly. >> Uh, so what's going on right now? >> Uh, well, I think our new friend here is familiar with some of my little movies. >> Hold on. Hold on. Your movies are a lot of things, but they are not little. >> You're a filmmaker? >> Uh, yeah. I've made some movies. >> A lot more than some movies, if I may say so. Maybe you've heard of a little film called Buried by the Break of Dawn. Blood point.
43:30 Blood benders. The blade may swing in both directions, but death only moves in one. >> Um, no. Sorry. >> Wait, didn't you two come here together? >> Oh, no. I mean, yeah, we drove in together, but only the last couple miles. I had some car trouble. >> I see. I'm sorry. I thought that you were Miss Castle's assistant. >> Nope, just me. Wait, should I be flattered or insulted by that? >> Oh, well, I didn't. Me? >> I'm just flattered you think I have an assistant? >> I'm sure if you did, she would not be nearly as charming as as Miss Avenue. >> Your last name is Avenue? >> Uh, no, no, no, no, no, no. What? Did I
44:16 miss something? >> Only that we are at a loss at what to do in the absence of our host, wherever they may be. >> I guess we should keep looking around. I mean Moy out at this point. >> Maybe our host has left something out for us. >> What do you do, Stan? >> Oh, I won't bore you with all the details, but it involves money and fast cars and trading. >> Well, nothing illegal, obviously. >> Oh, obviously. A bit of light bedtime reading.
45:29 Huh? Movie poster inside a cabinet. Interesting choice. Murder mill. >> Hey, either of you heard of murder mail? >> Holy sh. You're kidding, right? >> No. >> Not the only one around here who's familiar with it. >> Wait, this is one of yours? It's one of the first things I ever worked on. Super low budget. We had no idea what we were doing. Should never have seen the light of day. I still wish it hadn't. >> Why? Well, things tend to get blown out of
46:14 proportion. >> I heard it was only screened a few times, and each time the audience flew into a rabid, murderous rage. >> No. No. Come on. >> Don't try and deny it. The film is legendary. I think people were just bored out of their minds. >> Look, I'm sure they made you sign all sorts of non-disclosure agreements. Like, >> what? Who? >> The government when they confiscated and destroyed every existing copy of the film. >> Oh, give me a break. >> I heard they kept at least one just in case. The CIA's got this secret lab called Li's Memorial Institute where they use it for enhanced interrogation. >> How do you know all this? >> I'm a fan. And it pays to know this kind of stuff.
47:13 Uh, is that supposed to happen? >> I don't know, but I am digging the theatrics. Ah, good. I see you three have wasted no time getting acquainted with each other. I'm so very sorry for the delay in my arrival. There are a great many things that require my attention at the moment, and I would hate to have to deprive you of my full attention while we are together. >> Ah, yes. And speaking of needing attention, >> all dried up, are we? We can't have that. After all, you're far too capable of a negotiator when you're sober. >> And twice that when I'm not. >> Madison, would you also like a
47:58 refreshment? >> Uh, it's just Maddie. >> Oh, my mistake. Maddie, it is. >> Oh, it's fine. >> Nonsense. Never be shy about what you call yourself. Your name is who you are. That's important to remember. >> And who are you? I call myself Augustine Liieber. >> Nice to meet you, Augustine Liieber. Now that we are properly introduced, I must again offer you a drink. >> Uh, no, that's okay. >> Are you sure? It's very good. >> It can confirm.
48:44 Yeah, flying and drinking doesn't agree with me. Thanks though. I know it's been quite a long journey for you all to come here today. I hope despite that, you'll find it'll all be worth the effort. >> Guess that's up to you now, isn't it? >> I suppose it is. Well, I'll show you mine. Do show me yours. >> Aren't we a bit eager? Manners, Mr. Stanford. Not all of us are caught up yet. >> Brass, Augustine, I did not come all this way just for drinks. >> What's in there? >> Look, I don't know what you two have
49:30 come to sell her, but I just happen to have one of the most soughtafter pieces of rare cinematic ephemera to ever hit the market. >> Huh. Well, that right there is the only surviving segment of film from the original camera shot celluloid of one murder mill. The >> earliest known work of a certain noted artur allegedly. Should be worth a small fortune. >> So I'm told. >> Hate to burst your bubble. >> Damn it. There goes its one-of-a-kind value. Not quite.
50:17 I I I never knew what it was from. >> You told me I had to bring this to you in person if I wanted to make it. >> I will keep the promises I made to you. All of you. What if I don't want to sell? Well, >> that would be your choice. But after 40 years of pain, why would you choose to live with more? I have to apologize again, but there are urgent matters I must attend to in my private reoquy. You're welcome to continue to make yourselves at home until I return. >> I really think we need to finish
51:04 discussing. All in due course, Miss Castle. We were so close. I could feel the entity's force, its power pulsating through the steel mill. Until Sam Green's petty act of bravado ruined everything. The ritual disrupted. My key mangled. Yet Frank Stone didn't die that night. His essence was seared into the very foundations of the mill. An endless, agonized nightmare.
51:52 I had to find the right means to awaken him. You just don't get it, do you? You think we're weak, that we're nothing? You make me sick. There's just one thing you bastards will just never understand. You can tie us up. You can torture us. You can put us through every hellish trial your sick imaginations can come up
52:38 with. But you'll never defeat our spirit. No, no, no. My sister. Oh God. Oh, all I have to do is betray my own sister and you'll let me go free to fight another day. God damn you. God damn you for forcing me to make this impossible choice.
53:32 You fail to see what truly makes us human. I'd rather die a thousand miserable deaths than betray someone I love. My answer is no. And there is nothing you can do to change my mind. All right, you alien scum. Do your worst. I can take it. What is that? What are you doing?
54:34 and cut. >> How was that? >> That was amazing. >> Really? It wasn't like too much. >> No way. >> Cuz I feel like maybe I oversold it a little. >> You got to play to the cheap seats. That's where the money is. >> Rad. >> How do we do, Linda? Was that a good one? >> Uh, let me check the gate. >> You can check the gate on these little Super Eights. >> Um, no. Actually, the lens doesn't come off. So, >> somebody just wanted to show off all the fancy new crap they learned from the film production books in the library. >> I'm just trying to take the craft seriously. >> The craft? Jeez Louise.
55:19 >> So, are we good or what? >> Yeah. I mean, it looked great. How did the blood gag look? >> Um, well, Linda, you did get the blood gag, didn't you? I mean, it's really all about how Haimeme sells it. >> I did really sell it. >> Yeah, but did you get any of it in frame? >> You kind of see it splash up in Himeme's face a little. Linda, I told you I wanted a wide closeup that shows off our super cool bloody arm gag and Haime's face acting, not just an extreme shot of Haime's face acting. I was in the moment. I have to be allowed to express my artistic instincts with the camera, too.
56:05 And there's no such thing as an wide close-up >> or an extreme shot >> or face acting. It's just acting. >> Does anyone even care that I'm the director? >> Linda, when you're making movies, you got to respect the director's vision. And this is Chris's film, so >> don't worry about it. Let's just go again. Okay. You did it your way. Now we do it my way. >> Hold still. Let me clean you off. >> We'll get it on this one. >> If we don't, you can just make it up to me in my trailer after the shoot.
56:54 Oh, it's like spearmint cough syrup. >> Yeah. All my gagging was kind of real. >> You guys want me to leave? >> All right. All right. On your feet, people. Everybody back to one. We're going again. We are going again. Okay. Sound speeds. >> Um uh camera speeds. All right, everybody. Settle and hold. And hold. And action. [ __ ] No. >> Oh, dude. That is not good. >> What do you think you're doing in here?
57:41 >> Oh, hi, Mr. Green. >> Sheriff. >> Sheriff. Right. Sorry. >> How many times have I told you to stay away from this place? >> We were just in the middle of a take. >> A take >> for our film production. You can't shoot a movie in here. >> But this is where the big climax happens. >> This is a condemned steel mill, Mr. Rivera. And you are trespassing. Now, unless you want to spend the night locked up in jail, I suggest you, Miss Castle, and Miss >> Dixie. Miss Tammy D. Dixie, >> Miss Gordon, Miss Christine Gordon,
58:29 I suggest you immediately vacate the premises and you do not under any circumstances set one foot back here in the Cedar Still Mill ever. >> Oh man, sir, we're really sorry. Hey, we we didn't realize we were doing anything wrong. We'll clear out. >> Whoa, whoa, whoa. Hi, May. We've got a movie to finish. >> I know, but we have to do what the sheriff says. He's the sheriff. >> I don't care who he is. He >> And we're very happy to do whatever the sheriff asks. And uh don't forget to clean up.
59:19 Without a working camera or a location, I guess that's it then, huh? >> The camera just needs to be fixed. >> What the hell crawled up his ass? >> Nah, he's not so bad. Usually, we're not going to do what he says, right? >> Really? >> We can figure out how to finish the movie when we get back to the garage.
1:00:06 Heat. Heat. all wrapped out, sir. Now, don't you try and pull any fast ones on me. I'll be watching. >> Yes, sir.
1:01:21 I had a sound that day. What a complete and utter disaster. >> Don't be so dramatic. >> It's not like we've got a real deadline. >> Who needs a real deadline when every wasted second brings you closer and closer to your ultimate cosmic eternal deadline? Gothic. I like it.
1:02:07 Hey, what are these? >> Oh, I got those for us all to wear when we shoot. Surprise. >> Wait, you guys are both acting, so it'll just be me. >> So, you'll be like our ambassador. >> Yeah, not a chance. >> Whoa, don't open that up. I still haven't taken the film out yet. >> I thought it was broken. Well, yeah, the lens is cracked, but the footage is still good. Unless, you know, you open it. >> Whatever. >> We got some good stuff today. Glass half full. >> Dude, just let me be upset. >> Doesn't Sheriff Green have anything better to do with his time? Like, go after actual criminals and [ __ ] >> Cedar Hills is not exactly a noted hotbed of criminal activity.
1:02:53 >> That's not entirely true. There was that whole serial killer thing. >> Hold up. What now? When was this? I >> I was just a baby. I don't really know anything about it. >> Oh, you're still just a baby. >> You still don't know anything. >> Now be a good little baby and tell me all about this whole serial killer business. >> I know some stuff. >> Spill it, lady. For starters, I think that's why Sheriff Green doesn't want us to go in the steel mill. >> Oh, yeah. That's where it all went down. So, you do know stuff and you held back, you traitor. >> Yeah, cuz I knew you'd get all like this. >> Hell yeah, I would. Linda, tell me about the steel mill killer. >> Well, that's where it all ended. But before that, there was a whole string of
1:03:40 disappearances kidnappings really. Murders. >> So, what was this guy's name? Maybe we should write him into the movie. >> Oh, I don't know if we >> Frank Stone. >> Huh? So Frank Stone was actually killing people in the steel mill. Like our steel mill where we were just shooting like an hour ago. >> That's the theory. >> Frank was working at the mill, but I think it was on its last legs by then. Probably not a lot of people around. They shut it down right after. What do you think he was up to? There has to be a reason for him to kill a bunch of people, right? >> There was never any kind of confession,
1:04:25 so they don't really know for sure. >> Someone somewhere's got to have some idea. >> Well, we could always just ask Frank Stone, >> huh? >> Crystal ball, Ouija board, what will they say? And Miss BB's hotline. The dead are just a seance away. >> Okay. Okay. >> I called Miss BB once. I tried to speak to Mary Shel, but Miss BB thought that was my grandmother, so she kept going on and on about eating enough cabbage soup. >> Did you get a recipe? >> Oh, damn. >> Then again, maybe it's better not to dig up old bones. >> If it's ancient history, >> people don't really like to talk about it. We do get reporters asking around
1:05:12 sometimes. really rubs people the wrong way. >> Once Sam Green became sheriff, that all died down. Anyway, >> Sheriff Green sure seems to care a heck of a lot about this. >> Sam Green's the one who took Stone Down. >> Ah, saved a little baby that day, too. Would have been the killer's next victim. >> Yeah, he's kind of the town hero. >> Huh. >> Interesting. Chris, what are you thinking? >> You guys have been so helpful answering my questions and all, but sounds like I should probably go right to the source.
1:05:57 >> What? >> After today, I don't think Sheriff Green's going to want to talk to you about anything even remotely related to the mill. >> You never know. >> Good luck with that. >> I guess it doesn't really matter what happened at the mill since we can't finish shooting there with a busted camera. Hey, why don't we just take the camera to the drugstore and see if we can get it fixed? >> So, yeah. The thing is, I kind of spent the rest of the budget on the t-shirts. Unless you know of anybody looking to get into film finance, we're kind of [ __ ] out of luck. >> What? >> Uh um. You want a piece of me, too?
1:06:52 >> Howdy, partner. How's Lap on the range? >> Did he hit his head or something? The hell's wrong with you? >> Uh, nothing. Sorry. >> Why is dad such a demanding [ __ ] I came home to help, not do everything. I mean, I'm not a maid. Do I look like a [ __ ] maid? You better not say I look like a [ __ ] maid. >> He's just worried about mom. >> Well, like he's worried that as soon as she croakkes, I'm out of here and then he'll have to be his own [ __ ] maid for once in his life. >> Yeah, but mom's going to get better soon, so it's not going to matter. >> Right. Yeah, of course you're right.
1:07:39 Sorry. I guess I just needed to blow off some steam. >> I get it. >> The last thing mom needs is for us to be screaming at each other. >> It's true. >> Yeah. And you've been doing an incredible job. I mean it. I I don't know what we do without you. >> Uh-oh. >> What? What? >> Linda, where's the haime bell? >> Ring ring. What's the haime bell? My darling brother has the tendency to uh lay it on a little thick whenever he's about to ask for a favor. >> No, I'm just speaking from the heart. >> Okay. What do you need from me? >> Um, well, we're making this movie and we're so close to finishing, but we just need a little extra bit of money.
1:08:26 >> Of course you do. What else is new? What Nahime is trying to say is our camera got busted today and we need a few bucks to get it fixed. Ouch. How much do you need? >> Just like to 20 bucks would probably cover it. >> 20 bucks? That ain't pocket change. That's how much camera repairs cost these days. >> Seriously, >> we're trying to make this thing good, and good don't come cheap, >> huh? You guys really needed to finish the
1:09:12 film. >> Yeah. >> All right, I'm in. Who am I to stand in the way of art? >> You won't regret it. Oh, and I get the garage tonight. >> Why? Why? >> Cuz I need it. >> This is where all our editing stuff is. >> Well, that's the deal. Take it or leave it. >> All right, it's a deal. >> Try not to waste it. >> Don't worry, we'll put it to good use. >> You all right there? You're looking a little uh wiggly. I'm fine. It's just uh What is in that fake blood? >> I think it's just mint flavored real
1:09:59 blood. Oh, it did say to avoid any prolonged skin contact. You washed it all off like right away, right? >> Uh you don't think it's like actually poisonous, do you? >> It's a horror movie, Haime. Anyone could go anytime. >> Hopefully there's enough time to fix the camera before they close tonight. I'm not sure the drugstore clerk will even know how to fix it. >> Hey, think positive. >> It's not like there's anywhere else in town we could take it. >> What? >> What about there? >> I thought that place was condemned. >> Guess they got a new tenant. >> Do curiosity shops even repair cameras? There was a place like that near my grandfather's house. The owner used to tinker with all sorts of old junk. You
1:10:45 never know. >> I bet they have some rad old junk, too. Your call, Chris. >> Drugstore. I don't want to risk missing our chance. >> Are you sure? Curiosity shop does look pretty cool. >> We can check it out after. Fair enough. So, who's going to do the honors?
1:11:32 >> The honors? >> Talk to the clerk? >> You're afraid to talk to a drugstore clerk? >> No, I'm just >> You just don't want to haggle, do you? >> Hey, I already completely debased myself to get the money from my sister. I know you're all nervous to talk to the big scary drugstore clerk, but just think about it like acting, which you're great at. >> Uh, you know how to act, too. >> Yeah, but people around here actually like you. >> I don't know. >> That's the secret ingredient for most celebrities. Anybody can act. Well, some people can act, but making people like you is like a superpower.
1:12:19 >> Well, I'm pretty charming. >> That's why I love you. >> Yeah, brother. >> Like a leg. You're going to knock him dead. >> Okay. Keep that up and his head's not going to fit out the door. >> Yeah. Um got a weird one for him. >> Cursed movies. >> This camera um so >> must be a slow news day. >> The lens is busted and I don't know if you guys are able to help with something like that, but we really need to get it fixed. So, I just figured I'd come in and check. So, yeah. Was wondering if you could take a look at it and uh let me know if it's something you could help us with.
1:13:10 We're so close to finishing the movie. Another missing kid. I hope they're found.
1:14:19 Demolition scheduled this year. Wa! Our movie is going to be the last record of the mill. I could so find a place for these in Murdermill if we had any cash to spare, which we absolutely do not.
1:15:10 How's it going? >> I'm working on it. Man, if this is a bus and we can't finish the movie. [ __ ] tragic. >> Yeah, I think if the world's deprived of murder mill, there's an outside chance it'll keep turning. >> Come on, Linda. What's the deal? >> All right, look. Just be straight with me. What's the deal with you and Haime? >> What do you mean? >> All that loveydovey [ __ ] back there. Uh,
1:15:56 you said I love you. >> Uh, I said I love him because I love him. >> You met 2 months ago and you've only been going out for like 3 weeks and you're already throwing down the L word. Come on. >> Whoa. Easy there, mom. >> That's just It's kind of fast. That's all I'm saying. Excuse me, young ladies, but is there something I can help you with? >> Oh, hey you. >> Hi, Robert. You quit working at the library? >> Ah, those are just volunteer hours. Now you're looking at an honest to goodness working stiff. >> Oh, income security is a very attractive quality in a man. So is access to book reservations.
1:16:45 >> So bad news, good news, super good news kind of situation. Bad news first. Always. >> The bad news is they can't fix the camera. >> Don't you want to hear the good news? >> What's the good news? >> The good news is Robert Green's working in the drugstore now. Tada. >> Uh, we already knew that. Yeah. For like at least 30 seconds. Keep up with the times. Hime. >> Got to keep up. >> So, wait. What's the super good news? >> Oh, yeah. I got some of these puppies. Firecrackers. Dude, you didn't just spend all the money on those, did you? >> They're just like five bucks. >> That's a lot. >> Don't worry. Still got plenty left for the camera. >> You better.
1:17:31 >> Curiosity shop's probably still open if you want to see if they'll fix it. >> Yeah, let's head over there. >> What's the camera for? >> Dude, we're making the most killer horror movie the world's ever seen. >> No [ __ ] >> Well, we were until your dad broke our camera. >> He did what? >> It was an accident. We were shooting at the old mill and he was not pleased. >> I'm not surprised. He's always got his eye on that place. He already kicked us out once, but I don't think there's anything on the planet that's going to stop our director from finishing her magnum opus. I probably shouldn't be telling you this, but there's more than one way into that
1:18:17 mill. >> Oh, really? >> If you get the camera situation sorted out, you let me know. >> Message received. Let's just check it out. It's not like we have anything to lose. Come on. Man, if I didn't know any better, I'd say this place looks like it's been here forever >> and a half. >> Maybe you should write it in. >> Don't tempt me. >> What if the owner is a deranged serial killer who collects weward teenagers and turns them into antiques? >> Then we hit the jackpot. Check out the
1:19:03 wares. Ooh, cameras. >> Uh, these look like they've seen better days. >> They're not going to put the best ones in the window. We got to look inside, >> shall we? >> If this is a trap and we're walking right into the layer of the chachki chopper, I'm selling you out first chance I get. >> Likewise, compadre. Let's just take a look around and see what we can find. >> How can you find anything in a place like this? >> Getting lost is half the fun.
1:19:50 >> Maybe nobody's home. >> Bummer. Was hoping to show off how good I am at haggling. Then again, if we find a camera, we could just walk on out with it. >> That's not I'm not saying we should just steal something. Yeah, you're right. I guess we can't finish the movie if we all get sent up the river. >> I don't think they sent people up the river for shoplifting. Why don't we spread out? Start over there.
1:20:44 A cute bunny. Whoever owned this place before had some lousy luck.
1:21:53 So, I've been thinking >> about Gothic romance novels. >> Yes. But no, about the movie. I think we could really strengthen the narrative if we just shoot an extra scene. >> Like what kind of extra scene? >> There's, I don't know, a scene where they talk a little bit about who they're trying to save and, you know, why. H >> I like it. It's a good idea. Thanks.
1:22:39 I don't know what that is, but it looks painful. Who would want to watch this creepfest?
1:23:25 If you were the proprietor of this shop, where would you put the cameras? Imagine cuddling up to that at night. Shopper, >> I'm glad to see you're all having fun, but if you insist on using my store as a playground, I'm afraid I'm going to have
1:24:11 to ask you to take it outside. Oh my gosh. I'm I'm so sorry. >> Just make sure you put it back where you found it. >> Wait, we're just looking for something to replace this. >> Oh, I see. >> We're making a film and we broke it. >> Got anything that could help us? >> With all the cameras in the window, we just thought we'd see. >> There was one thing. I'm just not sure I still have it. I'll have to look in my back room for a few moments if you don't mind waiting. We don't mind. >> I'll just be a minute. >> 10 to one. She brings us a photo camera
1:24:57 >> or a telescope. >> Shh, give her a minute. >> Let's see. Could it have been in No, maybe in this one. Yes, here you are. >> She comes running out straight at us with a giant chainsaw. I'm going to be like so bummed out. >> You're in luck. A very fine item indeed. >> Yes. Whoa. May I? I insist.
1:25:43 It's pretty old. Possible we could make it work, but it's not exactly what we had in mind. >> Mhm. How much are you asking for it? Oh, there's a tiny little price tag on it, but I seem to have forgotten my reading glasses. Why don't you take a look? 15 bucks. Okay, sure. I think that seems reasonable for something like this.
1:26:35 Thank you very much. Thanks for finding us a camera. Oh, it was no trouble at all. It truly is such a joy to see young people so passionate about the arts. >> Yeah. Yep. That's us. I have worn many masks over the centuries. Doctor Austinine Leaper was renowned, professional, and trusted. Frank Stone confided in me, allowed me to unlock his potential during those dark days in the
1:27:21 psychiatric ward. And now a new guys, a new timeline, a new chance. Giving them the camera, I admit, was unfair, even for me. They couldn't know what power they held in their hands, nor what cruelty awaits them in the steel mill. But what true creator wouldn't suffer for their art?
1:28:20 Okay. Okay. >> Are you okay? >> Uh, yeah. Guess I just dozed off a bit. Wait, what happened to Augustine again? >> She left. left. She said she had to do something very urgently in her private reoquary. >> Hey, now that we're all awake again, can we forget about Augustine for a minute and talk about the thousand foot long elephant in the room? >> Thousand. Oh, >> thousand feet is the average length of film in a movie. >> Oh,
1:29:06 guess we were all playing it close to the best before, huh? >> It's not my film. I I didn't I just worked on it. Didn't direct it. It's not even on my official filmography. >> I meant how we were all holding back about our film strips. >> Oh, right. >> Whether you take credit for it or not, it's definitely the most infamous project that's uh associated with you. Curs film collectors have been unsuccessfully searching for any trace of it for years. And now we are all here, each with our own little slice of a mysterious pie. It's a pretty big deal. So, all of our film strips, they're part of this movie you and your friends made. Linda, >> if they're not fakes? Yeah,
1:29:54 >> mine's not fake. >> And all that stuff you said about it being cursed. >> Murderous rages, CIA interrogation, total disassociation with reality. >> Because it's so rare, only a few people know for sure. But so listen, if Augustine wants the only known surviving pieces of it, she's going to have to pay up. >> Why do you think she wants it so bad? I mean, it's not really cursed, right? I prefer not to dwell on the past. We're here. Someone's offering to buy our sections of the film. That is all I'm concerned with right now. >> Providence goes a long way towards a successful sale. So to motives, I don't know about you, but I would very much
1:30:40 like to know why Augustine is so desperate to get her hands on this film. >> Well, first rule of business is to gather every bit of intel you can on your opponent. And I don't know about you two ladies, but I have been itching to get a little lookie around this big old house of curiosities. >> Are we allowed to look around? >> What do you say, director? Want to keep sitting around or you want to peek behind the curtain? What are you waiting for?
1:31:35 Well, now this is a real bold statement kind of room. You know what I mean? New Augustine got cash, but not like this kind of gash. >> Sounds like you didn't scout your mark as well as you thought. >> In business, we don't call them marks. >> Hustling is a rocket, not a business. >> I wouldn't underestimate my scouting skills if I were you. That rattling around up here that could be mutually beneficial. Okay, then tell me everything you know about Augustine. Augustine Liieber, elite collector of
1:32:21 obscure cultural artifacts. She pretends to be all business, but plays a long game with the cards close to the vests. She's hard to pin down. >> And >> ever since I arrived, I've kept my eye on things. Observations, behavior, decor. I've been building a profile, >> which is >> Liber is no ordinary collector. She likes dark stuff. The really dark stuff. She'll stop at nothing to get it. >> Very impressive. >> Okay, now it's your turn. My turn for what? >> Told you what I know. And now you go. And >> I think you pretty much covered it.
1:33:10 >> Hey. Uh, just catching up. So, what have you guys found? >> Not much, but the night's young. >> Not as young as you think. Let's keep looking around. Can't deny this place would make an incredible film location. >> I love your outfit, by the way. >> Well, thanks. It's Italian. Well, the shoes are Italian and a belt. I got a cheek from a guy and he's got a guy who's got a pants guy, so I got these pants from his guy's guy. They had him
1:33:55 tailored just right by the other guy I know who also got me the blazer. >> Ah, yes. Let's check out the other floors. Good thinking. >> Wait, hold on a second. >> What? Before all this goes any further, I need to know how both of you got your pieces of the film. >> Um, well, it's no secret really. Um, after my mom died a few months ago, I found it when I was going through her stuff. Maddie, what was your mom's name? Both. Or was it Bonnie Rivera? Yeah it How did you know that? You look just like her. Did you know my
1:34:42 mom? >> A long time ago. A whole other lifetime. Her younger brother, Haime, was one of my closest friends. Uncle Hime. I um I never met him. I hadn't heard that Bunny had passed. Yeah, it was pretty sudden. >> Wow, Maddie that's it's quite sad. Very touching. I'm so sorry you had to go through that. It's never easy to lose someone you
1:35:27 love. Thanks. Lucky for me, it wasn't my first rodeo. Bonnie, I wish I'd stayed in touch with her. Weren't you wondering where both of our film ships came from? I don't suppose you'd like to enlighten me? >> Of course. >> And well, >> I can't just tell you for free, can I? This kind of information is very valuable. >> What's your price? >> You know what? Going to have to get back to you on that.
1:36:40 Cool statue. Missing a piece though. Wow. Powerful resemblance in Augustine's family. That or Augustine loves cosplay. >> Wa. >> Quite a piece. Look at the metal work. It's beautiful. Sensationalist trash. Sam Green took down Frank Stone. I could write a better book than this.
1:37:55 I should check on Maddie. Can't be easy meeting someone from her mom's past. >> Yeah. Now, what would you do if it was you here instead of me? You sure would get a kick out of this place. And then you'd probably kick me out of this place and keep it all to yourself. >> Who are you talking to? >> No, I I wasn't. >> I could hear you. >> I was talking to my mom, to Bonnie. I was in Berlin, you know, at school when I heard she was sick, but it was my midterms and she said I should just come
1:38:40 home when I finished. So, I did. Uh, by then it was too late. She died while I was over the Atlantic. It all happened so fast, it doesn't feel like she's gone. So, I just kind of pretend like she isn't. >> She was a good talker. >> Yeah, she was. Hey, look at this. This was just last summer. I know you said it had been a really long time, but can you tell me anything
1:39:28 about her from when you knew her? >> Gosh. Well, she was the most intimidating girl I've ever met. Even after I got to know her, she did everything she wanted to do and nobody could stop her. >> And that sounds like mom. Any good stories? Yeah. Yeah. There is something I've been thinking about. I've never told anyone else. It was a long time ago.
1:40:14 We were just kids making a movie. Hi, May Chris and me. Everything's still so fuzzy about what happened. But there's one thing that always just stuck in my mind. Clear. That night, we were on our way home from picking up a new camera. We were driving past the Rivera's house. The garage door was wide open, full of light. And the craziest [ __ ] sound you ever heard was just tearing out of there in every direction. And right in the middle of it all was Bonnie.
1:41:01 I I don't think I've ever seen anyone so completely in tune with themselves. The only thing that mattered was that moment, nothing else. That was your mom. >> Thank you. >> Hey. Hey guys. Look >> what I don't see anything. >> There. Right there. >> Oh my god. There's someone out there.
1:41:57 >> Great. If this plot gets any thicker, it's going to need a new pair of jeans. >> Huh. Um, do you guys think we should be worried? I mean, what if they're dangerous? Maybe we should find Augustine and let her know. >> Even if you wanted to tell her. Good luck finding her. >> She said she was going to her private reoquary. That's a place for artifacts, right? >> There's artifacts all over the place, >> right? So, if you were going to have a private place for extra special, extra valuable artifacts, maybe you'd put them behind a door like that. You've got a point. >> Can't we just knock? >> I doubt anything can get through that, including sound. Which means it might be the safest place to be, whether
1:42:43 Augustine's in there or not. >> Okay. What's taking them so long? I thought we were going to have a production meeting before we shoot. Van's already all loaded up. >> I read an article that said girls don't like it when guys get all twisted up about their punctuality. You find it controlling. What? Why did
1:43:30 you need an article to tell you that? >> I just thought you might find that information useful. >> I'm not trying to control Chris. Just got a lot to do. >> Uhhuh. >> Hey, right out of time. >> Time to get cooking. What? >> Nothing. Nothing. Just trying to keep a low profile. Bonnie snooping around. >> All right. Is everybody ready to get this production meeting started? We got a big night ahead of us. Guys, I I got
1:44:15 to tell you, my mind's going like a million miles an hour right now. Did you know you can get like every newspaper article ever written at the library? It's insane. It's all right there. >> No, tell me more. >> I've spent like all day looking up every single thing I could find about Frank Stone, the mill, the murders. We are sitting on a freaking gold mine here. >> Sounds like a productive day. >> And yes, I had some help from my uh assistant. >> I ain't Please. >> Oh, that reminds me. Now that you are an official member of the team, got to wear the team jersey. >> Wow. This is
1:45:02 this is amazing. I'm I'm honored. >> You want to wear the stripes? You got to earn the rights. >> I promise I'll be the best ancillary producer you've ever seen. >> Production assistant. >> Yeah. Yeah, totally. >> Beast your eyes. Whoa. Wait, where's Sheriff Green? H. >> Yeah. So, Dad's never exactly been stoked about that. >> But I thought he got the guy. >> Yeah, and Sheriff Kushik took all the credit. People around here knew what was up but >> Let me see that. >> This one's a 10-year retrospective. They go into all sorts of grizzly details left out of the press the first time
1:45:48 around. And dad got a little more credit too. >> This is big deal stuff. We're making our movie in the very same spot it went down. Can't beat that. >> Guess not. It's definitely not something you see every day. >> That's what I'm counting on. Wait, so shouldn't we head out? >> Yes. Right. So, slight change of plans. >> What? >> When Robert and I dug into all these articles, we realized there might be an opportunity to find some places in the mill that could be even more directly connected to stone where we can shoot. So, it'll just take us a few minutes to
1:46:35 look through. That's not going to leave us a lot of time. >> Trust me, it'll be worth it. Especially if this is our only chance to go back to the mill. journalist sure can't get enough Frank Stone. >> Why don't you start with these? >> So, we're looking for Frank Stone references. >> We're looking for anything referencing specific locations in the mill that could be associated with Frank Stone. >> The mill is a pretty huge place. That's why I'm sure there's got to be something we haven't found yet. >> Definitely possible. >> We'll find it.
1:47:23 >> I'm sure no one was sad to see it go. >> Here, look at this. Mill projections dire for fall season. >> It mentions Frank. >> No, but it goes into the mindset of the workers. People were depressed. There were suicides >> at the mill. Not. >> I wonder if Linda's okay with all this Frank Stone stuff. >> Off. >> Damn. >> This was a year or two before the murders started. >> Does not sound like a fun place to spend a 12-hour shift. >> There are a couple articles like this. Emil was in serious decline. >> But if it doesn't mention Frank, >> I don't know. It's all related to him, to the way he was or or why he did what he did or something. That's your expert
1:48:09 opinion. >> It's just a hunch. >> I pulled some of these today, too. >> What's that? >> Obituaries from around the time of the murders. An omniverse >> her out >> thinking. Yeah. Yeah. I can remember it clear as a bell. Don't think I've ever experienced anything like that. And I before or
1:48:57 since I don't reckon I ever will again. Heck, I don't know if I would have even made it out alive if it weren't for Sam Green. Man's a hero. Damn. Shane, no good sheriff's taking all the credit. Him crying shame. He all but gave up on finding stone at the mill. Sam Green, he knew better. He came right up and told me we had to search every nook and cranny of that place. And if we had waited just a second longer well there'd be one less beautiful baby in the world or worse. Sam took Stone down just in a nick of
1:49:42 time, like something out of a movie. >> Thanks to Mr. whole. Nobody questioned my dad's story. >> Wow. >> They were friends after that. My dad gave the eulogy when Miss the Hole passed. I didn't want to say anything, but I'm just not a fan of this. >> Understandable. Her whole obsession with Frank Stone and the murders just feels a little intense. Maybe it's cuz she's not from Cedar Hills, but you know, those victims could
1:50:30 have been any of us or our families, >> but they weren't. So, you don't think it matters either? >> I didn't say it didn't matter. I just meant it happened a long time ago. And Chris is excited because some of the locations could work really well for the film. Like this one. Take a look. >> What is all this? >> I came up with a new scene to shoot. >> Did she wrote it? >> Yeah. >> Does Chris >> I told Chris about it last night. >> Oh, she was into it. >> We'll shoot it if we have time. >> Cool. >> This furnace chamber location is perfect, but I wouldn't have known about it without Chris's research.
1:51:17 It's pretty rad. I hope we have time to shoot it. >> Thanks. Me, too. >> Oh, yes. >> Huh? What is >> It's a picture of Frank Stone. >> Look at the date. >> Yeah. Oh, yeah. >> What? >> This is from before the murders. Before they realized it was Frank. >> It's about mill operations. Kind of a puff piece to drum up interest in new recruits. Hello. What is this? >> Look at the caption. >> Worker Frank Stone. Machine shop. >> Bullseye. >> Machine shop. Huh? >> We've got to shoot there. That's it. That's the place. >> It's perfect. >> So, time to go. >> Okay, people. Company move. Time to head on out and shoot the [ __ ] out of this thing. Let's go. Let's go. Time is money. Let's make a movie.
1:52:15 H. Now, what were you little ding-dongs working on? Hello. Interesting. Ladies and gentlemen, I present the mill. >> Yep, there it is. >> Oh, you see the creek down there? We follow that. Takes us right to the secret entrance. >> I don't see it. >> That's why it's secret.
1:53:06 We don't have to do this. >> Yes, we do. >> Ready? >> Oh, careful. First step's a doozy. All right. This way. Breathe in.
1:53:56 I can't believe we're going to see the place where Frankstone actually killed people. >> Freaking wild. >> Okay, two ways into the storm drain from here. >> One easy and one hard. >> They're both medium difficulty. >> Then give us medium one first. >> Well, medium one is to climb the gate over there. Then it's like a straight shot right in, but it'll take us pretty close to my dad's patrol route. >> And medium two. >> Medium two is we cross to the other side where we're a lot further away from my dad, but it's also going to take a bit longer. >> Those are both very medium. >> Right down the middle. So which way?
1:54:51 >> Let's keep this as simple as possible and not waste any time. >> Okay. Okay. We just have to be careful about my dad. >> We will hop on over. Your dad really patrols the mill every single night. >> Ever since I can remember. H >> I used to think it was weird, but it's just kind of his thing. Growing up, nothing killed a friendly conversation quicker than someone calling my dad the hero of Ceda Hills. >> I remember he didn't want to be interviewed for that profile they ran for the 10th anniversary. Got a cool title, though.
1:55:37 What was the title? >> The man who drew blood from a stone. >> Damn. >> I mean, it could make a good title for the other movie. >> Uh, other movie. >> We were just batting some ideas around, just spitballing. >> Cool. >> Maybe we should stick to finishing one movie at a time. >> Totally. Yeah.
1:56:26 It's my dad. Everybody hide. Anyone there? Getting too old for this. >> He won't come back this way again. Let's go.
1:57:21 This place is awesome. I wonder what we'll find inside. Are you absolutely Ely sure this is safe and we're not going to fall into some kind of ventilation shaft full of whirling fan blades. >> I can't promise you won't, but
1:58:09 at least you'll be able to see them as they tear you to pieces. >> Thanks. >> Brought one for everyone? >> Yep. >> What you got in there? Ah, well, the flashlights, uh, my notebook, some pens, couple of granola bars, three ponchos, first aid kit, bottle opener, sunscreen, collapsible cookware, and utensils. >> You know, we're not hiking the Appalachian Trail, right? >> Always be prepared.
1:59:13 We must be under the mill by now. Just got to find a way up. >> Haven't you ever talked to your dad about that night? >> What night? >> The night he was here with Frank Stone. >> There was one time when I was little and he was really drunk. Even though he doesn't remember, I kind of like knowing what he went through. >> I get that. He didn't talk to me like a little kid or like my dad. Got to see him the way he really is. He showed me all his scars. You know, he [ __ ] up his shoulder that night real bad. Still can't use it like he used to.
2:00:00 Probably never will. >> Damn, I didn't know it was so intense. He told me he and Frankstone squared off face to face right here in the mill. The furnace chamber actually. >> Oh [ __ ] What else did he tell you? >> Just that he saw things no man should ever see or know. >> What does that mean? Every time I've ever brought it up, gets that look in his eye. And I just don't want to see him like that. >> You sound disappointed. >> No.
2:00:46 No. >> But I'm glad you've got such a good relationship with your dad. >> Me, too. I think this is it up there. Oh, thank goodness.
2:01:32 >> Yes, Robert, you're a genius. >> Good call on the storm drain. >> Thank you, Robert. Come on, people. No more standing around flapping our yapsacks. One more scene and we're done. Hold on.
2:02:17 And cut. How was that for you? I think we got it. You know what that means, right? >> And that's a picture wrap on Murderville. Way to go, everybody. Uh, I think we still have one more scene left to go before we're officially wrapped. >> Wait, what's the last scene? >> Uh, right. Yeah, Linda pitched shooting a scene that would flesh out our backstories. >> Adding a little flesh, huh? Yeah, I
2:03:03 think we could work with that. >> But you're playing brother and sister. >> Come on. with our chemistry. Nobody's going to buy that. >> Where are you thinking we'd shoot the new scene? >> I do have a place in mind, actually. >> Oh, yeah. That's the furnace chamber, right? What do you guys think? I say we do it. >> Sounds good. Huh? >> Yo, >> you coming? >> Uh, yeah. Be right there.
2:03:52 >> Did you see something? >> No, it was nothing. >> You sure? You seem kind of spooked. >> What's up? Nothing. >> Nothing. Right. Except Hime saw a ghost back there. >> Okay, I'm not five. I don't believe in ghosts. >> You will. >> Get off me. Get off me. >> Gotcha. >> Not cool, buddy. >> Disagree. >> Not cool. >> What are you doing here? >> I'm part of the crew. >> We don't need any help. >> Then I'll just hang out and stay out of your way. >> This is a closed set. >> Apparently not. >> I may. Uh um Bonnie, I I really think you should be helping dad at home right now. You've got a lot on your plate, you
2:04:37 know. And uh >> and that's all I'm good for. >> Uh uh no, no, no. I mean that uh Linda, >> whatever. I don't care if she tags along. >> Okay, cool. I'll be totally invisible. Just act like I'm not even here. Actually, scratch that. Act like I am here, but like invisible, but you still know I'm here and you're not going to get up to any funny business, cuz that's just gross. Okay, don't don't do it. Well, okay. Are we just going to stand
2:05:23 around or are we going to make a movie? Time is money, right? >> Just make sure you don't get in the way. We've still got a lot to do and I don't work well with distractions on my set. >> I think you mean our set.
2:09:39 you okay? >> No. Yeah, it's just this is right where my dad came face to face with Frank Stone. I always had a mental picture of it, but now that I'm actually seeing it with my own eyes, I don't know. It's different.
2:10:49 Here's what we're going to do. Hi, May. Chris, you start here. Robert and I will follow. Bonnie, just stay behind and try not to make too much sound while we're rolling. >> You got it, boss. >> All right, everybody ready for a take? >> Lights ready. Sound speeds. >> Hi, me. Chris, all set and action. >> Is there something else you want to say to me? Cuz now's your last chance. >> Yeah, as a matter of fact, there is. Don't do this. >> I have to. >> No, you don't.
2:11:35 >> You know that's not true. >> Well, maybe I'd feel better if it were anyone else. >> Who else is there? >> But it's not fair. >> No one said it was. >> Already lost mom and dad. I don't want to lose you, too. Now, who's being unfair? >> At least I'm not being selfish. >> Selfish? I'm doing this for you. I'm doing this for our parents. If I can pull this off, might not be too late to save mom and dad. >> That's impossible. >> Nothing is impossible. >> Something about this just doesn't seem right. >> Do you trust me? I I >> Do you trust me? >> Yes, of course. >> Then you know what I have to do
2:12:27 >> and cut. Linda, that was sick. >> Totally felt like just what this thing needed. >> How was the lighting? >> It was great. Thanks. >> Did you hear that weird groan right at the end there? Uh, >> no. But don't sweat it. We're going to replace the sound at highways anyway. >> How'd I do? >> Himeme, it was perfect. >> Do you really think so? >> It was everything we needed the scene to do. >> You okay? >> Yeah. Uh, something about this just doesn't seem right. >> Uh, okay. That's not what I sounded
2:13:14 like. >> I don't know. It was pretty spot-on. >> Got to agree. >> Got to agree. I don't go around doing impressions of you dopes. >> You do impressions of me all the time. >> And me? >> I feel honored to have just joined the list. >> God damn, kids. That was fun. >> You really thought it was okay? >> Yeah. Better than half the films I see in New York. I mean, one of them was just a 5-hour shot of a guy sleeping. >> Wow. >> Seriously. I'm impressed. But uh I got to be honest. >> What? >> You really didn't think I'd notice what you were doing? >> Um what was I doing? >> Just playing out your own [ __ ] interpretation of real life. >> I don't understand.
2:14:00 >> Sacrificing your own life for the good of your sibling and your parents? Definitely sounds familiar. Almost like it could even be based on someone we know. But gee, I wonder who. >> That's not fair, Bonnie. >> No one said it was. >> We're trying to make something fun. I'm not trying to make everyone else miserable. >> At least I'm not being selfish. >> Selfish? Don't throw the lines back at me. >> What? You don't want to tell me how noble it is that you're making this movie with your girlfriend while I had to scrub my entire life to take care of you and dad. I liked it better when you were gone.
2:14:53 Uh, I'm just going to go get some fresh air. >> You should probably go, too. >> What? Like go? >> I don't think I want you here right now. So, I I just wanted to tell you uh how much I loved making this movie with you. >> Me, too. I mean, with you, not with me,
2:15:39 also. You know what I mean? >> I think we should do something special to mark the occasion. So, I don't know if I'm quite ready to break out the champagne just yet. >> But we finished the movie. It's in the can. >> We finished the shoot. Yeah. But we're still going to have to sell people on this thing. >> Okay, sure. >> We should keep exploring this place while we still can. >> I don't know if that's a good idea. If we can just get like one more shot of something directly connected to Frank Stone, like anything he might have left behind, we'll get all the attention in the world. We should look for that place from the newspaper article, the machine shop. >> Uh, hey Chris.
2:16:33 >> Holy. >> What can you see? something freaky. I don't know if I can describe it. I'll try shooting a little. >> Rats, >> what's up? >> Camera needs cranking. Hold on. That did it. Okay, let me get more. Whoa. Whatever the hell that was, it's going to look great in the movie.
2:17:27 >> Think that door will take us to the machine shop? Only one way to find out. >> Let's go take a look. My dad would kill me if he knew I was in here right now. Just rip my limbs off
2:18:12 one by one. >> I thought the sheriff was all bark and no bite. >> Not if you're his son. Danny's all of both. >> Don't you think it's weird how obsessed with this place he is? >> I guess so. I mean, he always has been, long as I can remember. I didn't even know it was weird until I got old enough to realize all the long walks he liked to take in the middle of the night were in the abandoned stillmill where he killed a guy. >> Maybe that's why he comes back to the scene of the crime. Maybe it helps him somehow. >> Honestly, I don't even think he wants to be helped. >> Why is it always clowns? What do you mean?
2:18:59 >> Dead end. Not this way. >> As I was going to say, uh, it's it's more like an obsession and it's gotten pretty weird. >> Uh, okay. Elaborate on that, please. >> Maybe it's just the way he was dealing with all the stress or guilt or whatever, but he sort of started researching all kinds of non-traditional philosophies. non-traditional >> like acupuncture with all the pins. >> No, no, >> wait, you don't mean like occult stuff. >> Look, I shouldn't have said anything. >> Well, you did. >> I don't want to give you guys the wrong idea. My dad's a straight shooter. That's it. >> Sure. >> Whatever you say, man.
2:19:52 Wait a second, guys. This is it. This is the machine shop. >> Holy crap. It is, man. Chris, you really know how to find the coolest stuff. >> Totally. Nice work, Chris. Let's look around and see what we can find. >> Yes. >> Yeah. You really think we're going to find anything the police miss? They're pretty thorough, right? >> They do miss though. >> Look at that. >> The train? >> Yeah. Yeah. In the article, it's a skeleton crew now. We're all pulling triple duty. I'm the only one left who even knows how to work some of the machines. The rolling miller, the
2:20:39 shears, the freight transfer system, said Frank Stone. If Frank was the only one left who knew how to use the freight transfer system and that one still suspended, I bet it never got searched. Not thoroughly. >> Ah, good point. I doubt there's any bodies in there. >> There's no harm in looking though, right? >> If it's even possible to get up there. >> Let's find a way. Come on. Got to be a way to get up there.
2:21:43 This should open the door, right? Maybe there's something useful in there.
2:22:37 broken. >> Looks like Yeah. >> Let me take a look. >> Hey, can I ask you something there? Uh sure. >> How come you never asked me to work on your movie? >> Oh. Um, well, it's it's Chris's movie. She decides she works on it. >> Yeah, but I mean, you know, I'm like a huge horror guy, too. I could have been helping you right from the start. >> But it's not that that that wasn't um wasn't what? >> We're making a horror movie. Yeah. But like I don't know. point was for me and
2:23:25 my girlfriend and best friend to all do something together. Like just us. So I'm just in the way that All right, look. The truth is all night I've been trying to get a few minutes alone to talk to Chris, and it hasn't
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