Romeo and Juliet balcony scene | Shakespeare's Globe | Marquee TV

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Resumen Breve

Este video presenta una interpretación de la famosa escena del balcón de Romeo y Julieta de William Shakespeare. Se centra en los momentos clave del diálogo entre Romeo y Julieta, explorando temas como el amor, la identidad y el conflicto familiar. Los puntos clave incluyen:

  • La idealización del amor y la belleza a través del lenguaje poético.
  • El conflicto entre el amor y la identidad familiar, simbolizado por el nombre "Montague".
  • La disposición de Romeo y Julieta a renunciar a sus nombres y lealtades familiares por su amor mutuo.

Introducción de Romeo

Romeo expresa su admiración por Julieta, comparándola con las estrellas y el sol, resaltando su belleza que supera cualquier otra luz celestial. Desea ser un guante para poder tocar su mejilla. La idealiza como un "ángel brillante" cuya presencia ilumina la noche.

Julieta Reflexiona Sobre el Nombre de Romeo

Julieta se pregunta por qué Romeo debe ser quien es, lamentando que su nombre sea un obstáculo para su amor. Reflexiona sobre la insignificancia de un nombre, argumentando que un nombre no define la esencia de una persona, así como una rosa olería igual de dulce sin importar cómo se le llame. Desearía que Romeo renunciara a su nombre o, si no, ella renunciaría al suyo.

Romeo Responde al Amor de Julieta

Romeo, escuchando a Julieta, se ofrece a renunciar a su nombre y ser "rebautizado" por su amor. Se pregunta cómo llegó hasta allí, en medio de la noche, arriesgándose a ser descubierto. Declara que su nombre es odioso para él porque es un enemigo para Julieta, y que lo destruiría si lo tuviera escrito.

El Amor Rompe Barreras

Julieta cuestiona cómo Romeo logró entrar en el huerto, dadas las altas paredes y el peligro que representa su presencia para su familia. Romeo responde que el amor le dio alas para superar cualquier obstáculo físico, afirmando que los límites materiales no pueden contener el amor verdadero.

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Transcript

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0:00 I am too bold, tis not to me she speaks. Two of the fairest stars in all the heaven, having some business to entreat her eyes to twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars as daylight doth a lamp. Her eyes in heaven would through the airy region stream so bright that birds would sing and think it were not night. Now she leans her cheek upon her hand,

0:46 for that I were a glove upon that hand, that I might touch that cheek. She speaks. Speak again, bright angel, for thou art as glorious to this night being on my head as is a winged messenger of heaven. Oh, Romeo. Romeo. Wherefore art thou Romeo? Deny thy father and refuse thy name, or if thou wilt not, be but sworn my love, and I'll no longer be a Capulet. Shall I hear more? Shall I speak at this? It is but thy name that is my enemy. Thou art thyself, though not a Montague. What's Montague? It is nor arm, nor face, nor hand, nor foot, nor any other

1:34 part belonging to a man. Oh, be some other name. What's in a name? That which we call a rose by any other name would smell as sweet. So Romeo would, were he not Romeo called, retain that name. dear perfection which he owes without that title. Romeo, doth thy name, and for that name which is no part of thee, take all myself. I take thee at thy word. Call me but love, and I'll be new baptised. Henceforth I never will be Romeo. What man art thou that thus be screamed in night, so stumblest on my counsel? By a name I know not how to tell thee who I am. My name, dear saint,

2:25 is hateful to myself, because it is an enemy to thee. Had I had written, I would tear the word. My ears have not yet drunk a hundred words of thy tongue's uttering, yet I know the sound. Art thou not Romeo and a Montague? Neither, fair saint, if either thee dislike. But how camest thou wither? Tell me, and wherefore? The orchard walls are high and hard to climb, and the place death, considering who thou art, if any of my kinsmen find thee here. With love's like wings did I who perch these walls, for stony limits cannot hold love out.

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